Category Archives: Civil War
Over the weekend leading up to Independence Day, I had been inspired by my family military service research project, which had me neck-deep in the American Civil War, which caused me to drag out a few DVDs for the sheer joy of watching history portrayed on the screen. Since the Fourth of July was coming up, I wanted to be sure to view director Ronald Maxwell’s 1993 film Gettysburg, on or near the anniversary of the battle, which took place on July 1-3, 1863.
I had watched these films (including Gods and Generals and Glory) countless times in the past, but this weekend, I employed more scrutiny while looking at the uniforms and other details. Paying particular attention to the fabrics of the uniforms, I was observing the variations for the different functions (such as artillerymen, cavalrymen, and infantry) while noting how the field commanders could observe from vantage points where these regiments were positioned, making any needed adjustments to counter the opponents’ movements or alignments. For those commanders, visual observations from afar were imperative and the uniforms (and regimental colors/flags) were mandatory to facilitate good decision making.
The tactics employed for the majority of the Civil War were largely carryovers from previous conflicts and had not kept pace with the advancement of the weaponry. Armies were still arranged in battle lines facing off with the enemy at very close range (the blue of the Union and the gray of the Confederacy), before the commands were given to open fire with the rifles and side arms. The projectile technology and barrel rifling present in the almost all of the infantry firearms meant that a significantly higher percentage of the bullets would strike the targets. In prior conflicts where smooth-bore muskets and round-ball projectiles were the norm, hitting the target was met with far less success.
The uniforms of the Civil War had also seen some advancement as they departed from the highly stylized affairs of the Revolution to a more functional design. In the years following the war, uniform designs saw some minor alterations through the Indian Wars and into the Spanish American War. By World War I, concealment and camouflaging the troops started to become a consideration of military leadership. Gone were the colorful fabrics, exchanged for olive drab (OD) green. By World War II, camo patterns began to emerge in combat uniforms for the army and marines, though they wouldn’t be fully available for all combat uniforms until the late 1970s.
For collectors, these pattern camouflage combat uniforms are some of the most highly sought items due to their scarcity and aesthetics. The units who wore the camo in WWII through the Viet Nam War tended to be more elite or highly specialized as their function dictated even better concealment than was afforded with the OD uniforms worn by regular troops.
Fast-forward to the present-day armed forces, where camouflage is now commonplace among all branches. The Navy, in 2007-2008, was the last to employ camo, a combination of varying shades of blue, for their utility uniforms citing the concealment benefits (of shipboard dirt and grime) the pattern affords sailors. All of the services have adopted the digital or pixellated camo that is either a direct-use or derivative of the Universal Camouflage Pattern (UCP) first employed (by the U.S.) with the Marine Corps when it debuted in 2002. Since then, collectors have been scouring the thrift and surplus shops, seeking to gather every digital camo uniform style along with like-patterned field gear and equipment.
After a very limited testing cycle and what appeared to be a rush to get their own digital camo pattern, the U.S. Army rolled out their ACU or Army Combat Uniform with troops that were deploying to Iraq in 2005. With nearly $5 billion (yes, that is a “B”) in outfitting their troops with uniforms, the army brass announced this week that they are abandoning the ACU for a different pattern citing poor concealment performance and ineffectiveness across all combat environments. With the news of the change, the army has decided upon the replacement pattern, known as MultiCam, which has already been in use exclusively in the Afghanistan theater.
For collectors of MultiCam, this could be both a boon (making the items abundantly available) and a detractor (the limited pattern was more difficult to obtain which tended to drive the prices up with the significant demand). For those who pursue ACU, it could take decades for prices to start climbing which means that stockpiling these uniforms could be a waste of time and resources. Only time will tell.
Since the Civil War, the U.S. Army uniform has one very consistent aspect that soldiers and collectors alike can hang their hat upon…change.
(Note: This is the first part in a series of posts. For the following articles, see the list below)
For me, collecting militaria has been an adventure of discovery as I learn about who my ancestors were and what they did to contribute to the freedoms we enjoy in the United States today. As I’ve stated in earlier posts, my research began with the receipt of a handful of militaria pieces and documents for two of my relatives who served in the armed forces.
Rather than simply store the items in a drawer or closet, I wanted to assemble and display them in such a manner as to succinctly describe their service. Seeking to be as complete as possible, I sent for the service records for both relatives so that I could fill in the gaps if there were any missing decorations from what I already possessed. Upon receipt of the records from the National Archives, I noted that there were, in fact, several awards that had never been issued to either veteran (many service members were discharged at the war’s end war, prior to the decorations being created and subsequently awarded) and promptly obtained the missing pieces.
In preparation for assembling the displays, I was motivated to learn all that I could about others in my family who served. As I worked on my family tree, I began to discover that there were veterans at each successive prior generation who served. From Vietnam to the Korean War, World War II to the Great War, from the Civil War, the war of 1812 and finally, the American Revolution, I had ancestors who were participants. At the prompting of my kids’ inquiries as to who these people were and what they did, I embarked on a mission to assemble tangible representations of some of the notable veterans in the family lineage – including uniform items, awards and decorations.
Limited by financial resources and storage space, I needed to choose the people from our past that would garner my collecting attention. This decision has caused me to abstain from purchasing some of the items that I found very interesting but couldn’t justify acquiring (after all, I am not creating a museum in my home).
One of my recent discoveries is that veteran in my lineage served in a storied regiment during the American Civil War. This unit, the 6th Pennsylvania Cavalry, was the only mounted regiment to be equipped with the lance as their primary weapon, prompting the nickname of Rush’s Lancers (Lt. Colonel Richard Rush was the unit’s first commanding officer). While my ancestor wasn’t a distinguished veteran or officer (he was a corporal), he did serve throughout most of the war, participating in many of the bloodiest battles.
I have been pondering how I could create a tasteful, yet small assembly of items that would provide an authentic and visually appealing display. What sort of items are available (and that I could afford) that would fit into a smaller shadow box and tell a story of my great, great, great grandfather’s service?
Taking into account that my relative was a member of the Union Army, I could pursue pieces of the Union uniform such as buttons or other devices. I would need to focus on cavalry as their buttons are different from those of the infantry. If I was fortunate enough to locate one at a reasonable price, I could obtain the kepi hat device. Including excavated items such as ammunition rounds for weapons carried by cavalry (such as .52- or .56-caliber carbine or .36- or .44-caliber revolver rounds) that were found on one of the unit’s battlefields would be a terrific accent to the display. Ideally, I’d like to get my hands on the blade from a lance, but with the lofty price (one was sold at auction in 2005 for $1,440.00) they command, I will have to abstain. If I can locate a period-correct Civil War medal, it would be icing on the cake.
No matter the direction that I ultimately decide to take, I know that I will be spending the next several months scouring the online dealers and auction sites to acquire the pieces. In the meantime, I await my great, great great grandfather’s service records so that I can (hopefully) nail down his service and create an accurate display.
- Part 2 – Civil War Shadow Box Acquisition: “Round” One is a Win
- Part 3 – Due Diligence – Researching My Ancestor’s Civil War Service
- Part 4: – Boxing My Ancestor’s Civil War Service
Note: This the third installment of a multi-part series covering my research and collecting project for one of my ancestors who was a veteran of the American Civil War:
- Part 1 – Shadow Boxing – Determining What to Source
- Part 2 – Civil War Shadow Box Acquisition: “Round” One is a Win
- Part 3 – Due Diligence – Researching My Ancestor’s Civil War Service
Researching a person’s history who has been deceased for 107 years is difficult at best. Delving into the military service of a person who is an American Civil War veteran, while challenging, is a few percentage points easier, provided you understand the discoverable information. Where things become a test of one’s patience is the task of using the discoveries to create and encapsulate that person’s service with an artifact display – a shadow box to provide an aesthetic visual representation.
I’ve assembled three shadow boxes (and contributed to a fourth) that detail the service of my veteran relatives, incorporating pieces that were handed down to me and augmenting them with replacement items that were once lost to time. One of the boxes I created included my own medals, ribbons and assorted pieces from my decade of naval service. All three of the collections I created currently hang on display in my home office to tell a story for my family and guests about the years of service proudly given to our nation.
Through my continuous research into my family’s heritage and genealogy, I’ve uncovered details regarding ancestors who wore our nation’s uniform dating all the way back to the War for Independence. In the last few months, I zeroed in on the Civil War, identifying several family members who volunteered to gird themselves in the blue, heavy wool of the Union army. As noted in earlier posts (Civil War Shadow Box Acquisition: “Round” One is a Win and Due Diligence – Researching My Ancestor’s Civil War Service), several details began to emerge when I focused on my great, great, great grandfather’s service in the 6th Pennsylvania Cavalry, in the 70th Pennsylvania Volunteer Regiment.
Pressing into the details in the last few weeks, I learned that though my GGG grandfather was discharged in February of 1863 due to a disability he received during his service with the cavalry regiment, he again volunteered for a stint in the defense of his home state during General Robert E. Lee’s summer invasion of Pennsylvania. My ancestor responded to President Lincoln and Governor Andrew Curtin’s emergency call for temporary service (90 days) as a home guard force, serving with a light artillery company with the Department of the Susquehanna. It appeared that he was compelled to continue to fight though he’d already seen the ill effects of war at places such as Malvern Hill and Sharpsburg.
In the years following the war, veterans were drawn to the quiet battlefields and to their surviving comrades as the impact of the fighting and the bonds forged in combat were too strong. Soon, the former soldiers formalized their “reunions” with the founding of an organization, the Grand Army of the Republic (GAR). This organization would last for 90 years from its inception in 1866, advocating and lobbying for the veterans and their needs until the last veteran finally passed away in 1956. My GGG grandfather was a proud member of the GAR and would ultimately benefit from their efforts, being cared for during the last two years of his life in the soldier’s home in Dayton, Ohio.
One discovery I made was that in 1905, my 3x-grandfather made a trek from the soldier’s home to his hometown in Pennsylvania to, according to his obituary, say his goodbyes to his family as he didn’t feel that he’d survive the coming winter. Being a native of Reading, Pennsylvania and a member of the GAR, I deduced (based upon the details in the obit) that he, more than likely, used the trip to say goodbye to the men he had served with. The GAR happened to be holding a national encampment reunion in Reading and he would undoubtedly have made use of the trip for both purposes.
Taking into account the new details, I decided that I would add to the growing list of display items for my shadow box project by incorporating one of the encampment medals from that 1905 Reading gathering. Searching the internet, I managed to locate one in an online auction, submitting the winning bid earlier this week.
In addition to the two authentic small arms projectiles (a .52 cal Sharps carbine and a .44 cal Colt revolver round) that were found in the battlefields where my ancestor fought, and the 1905 Reading national encampment medal, I have acquired a GAR membership medal to round out the vintage artifacts that will be included in the shadow box. Heeding the advice of a fellow collector, I decided to pursue precise reproductions pieces – a crossed sabres hat device, the regiment and company number and letter devices and yellow cavalry stripes of a corporal – to round out the display.
After the final pieces arrive, I will assemble the display and promptly hang it near the others as I continue to honor those in my family who served.
Additional posts about Jarius Heilig