Category Archives: Third Reich
“It is well that war is so terrible, or we would grow too fond of it.”*
I started this blog as a continuation of a similar effort that I undertook (as a paid gig) for a large cable television network. I spent some time contemplating a suitable name for this undertaking, settling on The Veteran’s Collection for a number or reasons. The simplest of those reasons was to express my interest in militaria and how my status as a veteran guide both my interests and desire to preserve history.
Often, I equate my collecting of military items in the vein of being a curator of military history and the role that the military has played in the securing and preserving of basic freedom for our nation (and for the people of other nations who have been trying to survive under repressive regimes). In gathering and collecting these items, it may appear to some that I am glorifying war. Having in my possession weapons (firearms, edged weapons, munitions, etc.) might signify glorification to the untrained eye however these items are part of the overall story being conveyed by collection.
I am a fairly soft-spoken person when I am out in public (though people who truly know me would have a difficult time believing this). When political conversations emerge near me (when waiting in line or casually walking past strangers in public settings) I have heard, on many occasions, discussions focus on perceptions of men and women who serve ( low-key or have served) in the armed forces. Often times, gross mis-characterizations regarding people in uniform begin to emerge as the dialog devolves into denigration of active duty and veterans as being war-hungry criminals, bent on killing innocents (women and children). I can’t count how many times I have stood in line, listening to people in front of me expressing how frustrated they are when they see a soldier in uniform ahead of them receiving a discount for a food item or service equating their time in service as legalized murder.
I served ten years on active duty and had two deployments into a combat theater, one of which I and my comrades were engaged by the enemy. In all of those ten years, I cannot recall a single person whom I served with who desired or wished to see combat. We prepared and trained for it hoping to never see it. I don’t think that I have ever met a combat veteran who wanted to talk openly about their time under fire. To have the uneducated civilian boil down our willingness to don the uniform, train for years while understanding fully that at some point during our service, we could see the horrors of combat as being blood-thirsty war-mongers only serves to show the extent of their ignorance.
I recently read two articles today concerning veterans of World War II who have (or had) committed their remaining years educating people about the horrors of war that each of them faced.
The first article was about one man, an IJN fighter ace Kaname Harada, who took every moment that he had left in order to do what the Japanese government is failing to do; educating younger generations to warn them about being drawn into future wars. “Nothing is as terrifying as war,” he would state to an audience as he spoke about his air battles from Pearl Harbor to Midway and Guadalcanal. As I read the article, I zeroed in on a chilling quote by one of Harada’s pupils, Takashi Katsuyama, “I am 54, and I have never heard what happened in the war.” He cited not being taught about WWII in school, continuing, “Japan needs to hear these real-life experiences now more than ever.” I am baffled that a man who is a few years older than me was not taught about The War in school.
In the second article, Army Air force fighter pilot, Captain Jerry Yellin, who like Harada, is educating young people about what he sees as futility of war. He is concerned that young Americans do not have an understanding of the realities of war nor what it is like to fight. “We’re an angry nation,” said Yellin. “We’re a divided nation: Culturally, monetarily, racially and religious-wise we’re divided.” What the veteran of 19 P-51 missions over Japan said (in another article) regarding war is often lost on those who are pacifists (at any and all costs) and lack understanding, “War is an atrocity. Evil has to be wiped out.” He continued, “There was a purity of purpose, which was to eliminate evil. We did that. All of us. So, the highlight of my life was serving my country, in time of war.”
“Those who cannot remember the past are condemned to repeat it.”
– George Santayana
Both of these men clearly understand the cost of war and the hell that they faced when they took up arms and yet neither of them could be characterized with the ridiculous “war mongers” moniker often applied to warriors.
The reasons that people collect militaria are as diverse as each of the hobbyists’ backgrounds. The community of collectors can be completely aligned and in lock-step with each other on some militaria discussion topics and in near animus opposition on others. I tend to stay away from collecting medals and decorations; specifically, anything awarded to a veteran (or, posthumously to his family) due to how a great number of collectors commoditize certain medals (Purple Heart Medals, specifically). I withhold judgment as I abstain from even discussing the medals in question. For the laymen, a Purple Heart is awarded to service members wounded or killed in action. Collectors attach increased value for medals awarded (engraved with the recipient’s name) for posthumous medals; if the person is notable or was killed in a famous or infamous engagement, the value compounds (there are several other contributing factors that influence perceived monetary value).
Purple Heart Medals are a very sensitive area of military collecting and nearly every medal was awarded to combat veterans – soldiers, marines, sailors and airmen who were serving in a war or wartime capacity. There are several collectors who use their Purple Heart collections to demonstrate the realities of the personal cost of war. These caretakers of individual history, such as this collector, painstakingly preserve as much of the information surrounding the WIA and KIA veterans, often maintaining award certificates and even the Western Union telegrams that were presented to the recipients’ parents or widows. Seeing a group with the documentation together is heart-wrenching.
Militaria collecting can be very personal as many of the items, like medals (such as the Purple Heart) actually belonged to a person who served. In my collection, I have uniforms from men who served from as far back as the early 1900s up to and including the Vietnam War (not including my own as seen in this previous post) with the majority centered on World War II. Nothing could be more personal than the uniform worn by the veteran. Having personal items, in my opinion, enhances the collecting experience because of the desire to research what that service member did when they served. Uncovering a person’s story is to understand the sacrifice and cost of leaving family behind to serve rather than glorifying war itself.
Also in my collection are artifacts that were brought back by the veterans from the theater in which they served. While to some people, viewing these items may conjure negative and visceral responses, they still serve to tell a story that shouldn’t be forgotten. One of my relatives returned from German having recovered a great many pieces from the Third Reich machine after it was defeated by May of 1945. Still, this is not celebrating war nor the defeat of a (now former) foe.
There are other facets of my collection that are touch on the functions of engagement and combat; specifically armament and weapons. I have a few pieces that I inherited that, at some point, I will be delving deeper (on this blog) as they do fascinate me. I need to spend some time expanding my knowledge a bit more in order to present these pieces with a modicum of understanding (alright, I’ll admit that I don’t’ want to sound uneducated on my blog). Frankly, weapons are not my forte’ but what I own (a small gathering of edged weapons and ordinance), I have spent some time learning about them.
Preserving history is paramount to helping following generations to both understand the cost of war and that, while doing what is necessary to avoid future wars, serves to illustrate that nations not only should but must take a stand against tyranny and evil.
* Military Memoirs of a Confederate, 1907, Edward Porter Alexander
History is continuously subjected to revision as stories are told and retold. Researchers and historical experts are seemingly discovering previously hidden facts or secrets that shed new light on events. With the new revelations, previous facts surrounding historical events are skewed or changed causing a re-shaping of timelines and ultimately public perception. Hollywood however, seems bent on taking a different tack with regards to revising history in order to reshape producers’, directors’ and actors’ bank accounts.
In April of 2000, Universal Pictures released a highly successful historical-fiction movie depicting the U.S. Navy’s successful capture of a Kriegsmarine u-boat during World War II. The premise of the film was centered on seizing the keystone encryption device (often referred to as Germany’s “secret weapon”), the Enigma encode/decoding machine along with the codes. While director Jonathan Mostow (who also co-wrote the screenplay) navigates around the historical truths by conveniently mentioning that the story is a compilation of actual events rather than being based on a true story. While this may have worked for American audiences, Great Britain’s Prime Minister (at the time of the film’s release), Tony Blair agreed with discussion (about the film) in Parliament that the story was an affront to the British sailors who gave their lives in the actual retrieval of the Enigma device during the war.
Rather than embarking on a mission to demonstrate the challenges created by Hollywood’s propensity of altering reality (albeit for entertainment purposes), I want to focus more on the capture of the machine and codes and what that meant for achieving an Allied victory over the Axis powers during World War II.
Prior to the United States’ entry into WWII on December 8, 1941, Europe had already been gripped with conflict for twenty-five months. Though it was a highly protected secret, the Allies were fully aware of the existence of the Enigma machine and had already seen successful code-breaking efforts (by the Polish Cipher Bureau in July of 1939) until continued German technological advances rendered those efforts obsolete. It wasn’t until May 9th, 1941 that the Allies achieved their most substantial breakthrough with the British capture of U-110 along with codes and other intelligence materials.
One of the events that is allegedly covered (by the U-571 film) is the United States’ capture of the U-505 in 1944 (three years after U-110) which was towed to Bermuda. Following the war, the U-boat was towed to Portsmouth Navy Yard, New Hampshire where she sat until being transported to Chicago to be displayed as a museum ship. The U-505 is now preserved inside the Chicago Museum of Science and Industry. Also on display are two Enigma code machines.
In addition to the two machines in the Chicago MOSI, there are a handful in museum collections around the globe. Due to the scarcity of the devices, their notoriety and the impact of their capture had on the outcome of the war, Enigmas command incredible premiums when they surface on the market. As recent as 2011, a Christies’ listing yielded a sale with the winning bid in excess of $200,000.
Most recently, the winning bid for an online auction listing (for a three-disk Enigma) seemed to reflect a more modest price as it sold for “only” $35,103. One has to wonder why, in only two years, would there be such a considerable price disparity (obviously factoring model, variant, condition, etc.) between the two transactions. Perhaps the current state of the economy is at play? Maybe the collector or museum with deep pockets was eliminated from the market with their purchase in 2011? Perhaps the $200k selling price was an anomaly and this recent auction reflects a more realistic value?
Either way, the Enigma will remain…well…just that…an enigma with regards to my own collection and the possibility of ever possessing one.