Author Archives: VetCollector
In a recent online auction, an amazing example of a veteran-painted pith helmet sold for less than $150. Had this helmet been a period correct M1 helmet, there is no telling how much attention it would have drawn from collectors or what incredible amount of money it would have fetched.
Hawley Products Company, one of the manufacturers of M1 helmet liners, made these fiberboard headgear “sun” helmets for use as protection from the intense sunlight and torrential downpours of the South Pacific tropical islands. Due to their lightweight design and construction, the term ‘helmet’ hardly seems applicable when compared to the beefy, bulky nature of the steel pot.
Piths were issued to all branches and were available in two colors or tones. Green was predominantly issued to naval personnel while khaki or light brown went to army and army air forces people. Marines could be seen wearing either color as they were issued whatever was available within the supply system or they adapted to the limited stores-issue and found creative ways to <em>requisition</em> (I use this term quite loosely as some Marines were rather resourceful in cutting through the red tape of the supply system) them.
As with any creative service member deployed away from loved ones and home, artistic expression tended to be revealed on available mediums. Piths, not meant for combat, were viable canvases for these artists to modify with their own personal embellishments. Wearers <em>tended</em> to be rear echelon service-members rather than front-line combatants, but some did don the helmet near the fight. Sometimes the fight came to them while they were engaged in other in-the-rear activities.
If you’re seeking to add a visually stunning helmet to your collection but can’t afford to splurge for the painted steel pot, these pith will certainly add diversity and originality to any display. With patience and diligence applied to your searching techniques or saved searches, you will find the perfect addition.
After a lengthy run of posts covering United States militaria, it seemed appropriate to take a side-jaunt with an attempt to shed a little light upon military artifacts from another nation’s armed forces. Considering my limited experience with foreign military in general and thus even less knowledge in their militaria, I am decidedly headed into uncharted territory with this article.
This site’s three subscribers (ok, there are considerably more, but I seldom field any questions or hear any sort of feedback from them so it can be difficult to discern the actual number) understand that my collection does have a few pieces of foreign militaria and that rather than me seeking and adding them to my archive, they were handed down to me from an uncle who liberated them as war souvenirs during his service in Word War II (he continued on active duty until 1954 having also served in the Korean War. His military career commended when he enlisted to serve during the Great War).
Stowed away inside of trunks since they were sealed in theater and shipped back to the United States following the German surrender, the artifacts hadn’t seen the light of day since May of 1945. In 1994 when the trunks were discovered and opened, I took on the task to identify and obtain valuations for what was inside, once my jaw was able to close after being awestruck by what we found. Following disposition of some of the more rare pieces, I kept what was unsold and remained in my possession. The majority of those artifacts were Third Reich military with a smattering of my uncle’s personal effects and one odd item (that is the focus of this article), a French Model 1886 Lebel Bayonet.
When French chemist Paul Vieille introduced Poudre B, the first smokeless gunpowder in 1884, he propelled (pun very much intended) small arms technology light-years ahead, helping to usher in a new era of rifle and bullet design. While Vielle’s Poudre B produced more explosive force (more than three times that of conventional black powder) at a significantly reduced rate, the Swiss Army’s Eduard Rubin was developing a new jacketed round that would prevent the bullet from melting (as it traversed the rifle barrel) at the higher velocities created by the new gunpowder. The result of these advances prompted French military leadership to fast-track a new infantry rifle that would leverage these advances. The result was the Lebel Model 1886 or Fusil Mle 1886 M93 rifle.
While the Lebel rifle revolutionized infantry weapons, the accompanying bayonet was more inline with earlier , more antiquated designs. The Épée-Baïonnette Modèle 1886 bayonet employed a unique cross-shaped blade (when viewed from the point) which lacked sharpened edges, employing a lengthy point that was designed to penetrate the thick and heavy wool and leather uniforms of the day. The “Rosalie” as it was dubbed by the French, was in use from the 1880s to well into World War I. So popular was the weapon that it became the subject of adoration and lore, that French Poet Théodore Botrel‘s song, Rosalie was dedicated to the glory of “small French bayonets” and came to prominence in 1914 as World War I was ignited.
“Rosalie is elegant
Her sheath-dress tight-fitting,
Pour a drink!
Adorns her up to the neck
Let us drink then”
The Lebel bayonets were made with 20 ½ inch (52.7 cm) long blades, however they can be found in various lengths due to being re-pointed after tip-breakage during battlefield use. During the mid-1930s, many Lebel bayonets were modernized, reducing the length to be more comparable to newer designs and to reduce weight.
In their original design, the handle of the Lebel bayonets were constructed with a nickel-silver handle and a hooked quillion. However, mid-way through WWI (in 1916), conservation of precious metals for other war-uses led these parts being manufactured from brass. The hooked quillion was subsequently eliminated (during wartime production) as a result of battlefield feedback concerning it being cumbersome and easily ensnared on uniforms and accouterments when used on the enemy.
The length of the blade was well-suited for use at the end of a rifle, but as ready fighting knife in the trenches of WWI, it was awkwardly lengthy prompting many soldiers to cut down the blade length to a more stiletto-type thrusting knife.
As far as the collectibility of this bayonet is concerned, there are several schools of thought ranging from those who avoid the item due to its seemingly abundance and lower values to collectors who see it as a fine representation of weapons-history, worthy of display. A quick glance at online auction listings, prices (at this article’s publishing date), the prices range from $50-300 (with no bids on any of the 20+ items that are available). Obviously, condition, construction and completeness of the bayonet (inclusive of the scabbard and frog) will affect the value.
Collectors could expend a fair amount of their finances seeking out each of the known examples of the Épée-Baïonnette, however I will stand firm with retaining the sole example of Rosalie in my collection. For me, it has more meaning as it was something that my uncle brought back from his service overseas, though I have no insight into whether he acquired it during WWI or WWII.
“The future naval officers, who live within these walls, will find in the career of the man whose life we this day celebrate, not merely a subject for admiration and respect, but an object lesson to be taken into their innermost hearts. . . . Every officer . . . should feel in each fiber of his being an eager desire to emulate the energy, the professional capacity, the indomitable determination and dauntless scorn of death which marked John Paul Jones above all his fellows.” President Roosevelt uttered these words (on April 24, 1906) within the confines of the United States Naval Academy at the re-interment of the of remains of the man who is known today as the father of the US Navy, Captain John Paul Jones.
Framing an artifact with historical context helps me (and hopefully readers of The Veteran’s Collection) to better understand the importance of an object or artifact. Rather than dive straight into an item, I find that setting the stage helps to provide perspective, so please bear with me.
As a militaria collector whose primary interest lies in US Navy artifacts, the idea of possessing anything from the Continental Navy is an aspiration that is almost too lofty to consider. The sheer scarcity of objects precludes ordinary collectors like me from pretense of forays into the Revolutionary-era collecting. Seeking out musket balls and powder horns from the Continental Army is one thing, but the minuscule number of patriot participants in the naval service (in comparison to that of the ground soldiers) equates to an incredibly limited volume of available artifacts for collectors.
Considering my financial position and the reality that just about any piece (that I would contemplate as being worthy of my interest) from the Revolutionary War is well out of my reach helps to keep me focused on artifacts that are both within my area of focus and budget constraints. However, on occasion, I do find myself wandering about through dealers’ internet sites and online auction listings from the 1775-1783 time-frame. Very seldom do I find anything that captures my attention which is something that happened not too long ago.
In school, we learned about the famous exploits of Captain Jones (born John Paul in Scotland in 1747, he added the surname Jones after emigrating to the Virginia Colony in the 1770s) with the notable sea battles between his ships and those of the Royal Navy. His legendary response to the surrender inquiry (“Has your ship struck?”) by the enemy commander of the HMS Serapis (Captain Richard Pearson), “I have not yet begun to fight!” will forever be cited in U.S. Naval lore. But most American school children are not educated on what became of Jones following his war service and his ultimate untimely demise.
Following the 1783 signing of the Treaty of Paris that brought about peace between Great Britain and the newly established United States, the need for maintaining a navy was lost on (most) congressional members. By 1785, the Continental Navy was disbanded and the last ship (Alliance) was sold off. Jones found himself in Europe (assigned to collect prize money on behalf of Continental Navy privateer sailors) without a command. After a short stint serving Empress Catherine II of Russia as an admiral in the Russian navy (along with some controversial legal troubles), John Paul Jones retired to Paris at the ripe old age of 45 in 1790. Two years later, the great Revolutionary War captain was found dead in his Paris apartment having succumbed to interstitial nephritis.
Jones was buried in the French royal family’s cemetery (Saint Louis Cemetery) with considerable expense to M. Pierre François Simonneau, who was incensed that the American government wouldn’t render the honors due such a national hero at his passing. Simonneau said that if America “would not pay the expense of a public burial for a man who had rendered such signal services to France and America” he would pay (the large sum of 462 Francs) himself.
With the collapse of the Louis XVI’s monarchy soon after Jones’ death and burial, the cemetery was sold and after a few years was largely forgotten. Decades passed and John Paul Jones’ grave was lost to decay and years of neglect.
In 1897, General Horace Porter was appointed as U.S. Ambassador to France by President McKinley. Soon after his arrival in Paris, Porter took personal interest in the pursuit of Jones grave while gathering official and private documents (much of it was conflicting) pertaining to his death and burial.
“After having studied the manner and place of his burial and contemplated the circumstances connected with the strange neglect of his grave, one could not help feeling pained beyond expression and overcome by a sense of profound mortification. Here was presented the spectacle of a hero whose fame once covered two continents and whose name is still an inspiration to a world-famed navy, lying for more than a century in a forgotten grave like an obscure outcast, relegated to oblivion in a squalid corner of a distant foreign city, buried in ground once consecrated, but since desecrated by having been used at times as a garden, with the moldering bodies of the dead fertilizing its market vegetables, by having been covered later by a common dump pile, where dogs and horses had been buried, and the soil was still soaked with polluted waters from undrained laundries; and as a culmination of degradation, by having been occupied by a contractor for removing night-soil.”
After years of research, Porter was confident that he had narrowed down the approximate grave site location. In 1905, excavation work commenced as archaeologists began digging beneath a building that had been constructed over the cemetery. Upon unearthing a third coffin (they knew that Jones had been buried in a costly lead casket), the men opened it and found a well-preserved body that matched all the details of the man they sought. Porter wrote, “For the purpose of submitting the body to a thorough scientific examination by competent experts for the purpose of complete identification, it was taken quietly at night, on April 8, to the Paris School of Medicine (École de Médecine) and placed in the hands of the well-known professors of anthropology, Doctor Capitan and Doctor G. Papillault and their associates, who had been highly recommended as the most accomplished scientists and most experienced experts that could be selected for a service of this kind. I of course knew these eminent professors by reputation, but I had never met them.”
After careful examination, the physicians confirmed the identity (of the remains) as being that of the late Captain Jones. By August of 1905, the lead casket (which was placed inside a wooden casket) had arrived in the U.S. and was temporarily laid to rest at the US Naval Academy’s (USNA) Bancroft Hall during an April 24, 1906 ceremony. Jones’ body remained in this location while his final resting place was constructed beneath the USNA chapel. Upon completion of the elaborate and ornate crypt in 1913, the naval hero of the American Revolution was laid to rest at his final location.
By now you might be wondering why I am going to such great length in describing what happened with the naval hero of the American Revolution and what the possible context is regarding militaria. While perusing an online auction site, I stumbled upon a listing pertaining to Captain Jones.
“RARE FATHER OF US NAVY JOHN PAUL JONES LOCK OF HAIR DOCUMENTED BY AUTOPSY DR” – Auction listing title
As I scanned through the various images detailing the different facets included with the piece it began to sink in that the auction lot was highly bizarre and extremely unique (if not macabre). Though seller made a minute attempt to fully describe what the item within the listing, he (or she) opted instead to let the incredibly small images (low resolution, no less) makeup for the lack of details within the text.
From appearances, the lot contained a lock of the Captain’s hair that had supposedly been removed by one of the physicians who performed the 1905 post-exhumation autopsy. Accompanying the lock (which was bound with a ribbon) was the doctor’s hand-written note regarding how he obtained the piece. Along with these two pieces is another handwritten note inscribed by the man who purchased the hair (“H. H. Strigley”) from the physician in January, 1926.
While this listing certainly piqued my interest, I’d shudder at the idea of forking over $3,500 (which I don’t happen to have available) without performing the necessary due diligence in verifying the documentation trail (or maybe a DNA test of the hair would be in order?). Taken at face value, the item would be a fantastic acquisition and quite the conversation piece for naval collectors.
While there is reason to question the validity of such an item, to the right collector, this John Paul Jones group would make a great investment. Perhaps the provenance documents are traceable and can establish enough proof (a hand-writing analysis of the note purportedly drafted by Dr. Papillault)?