Author Archives: VetCollector
Paper and Postcards – Telling a More Complete Military Story
Although I am not much of a ephemera collector or fancy myself a philatelist, there are certain aspects of these areas of collecting that interest me. More specifically, if there are ephemera or postal items that connect with or align to my focus areas, I try to grab them in an effort to augment my collection.
People might see the term ephemera and wonder what it means. What sort of item can be characterized or classified as such? In order to answer that question, at least for myself, I proceeded to search the internet. One of the first items within the search results was the organization that is dedicated to these collectors, the Ephemera Society of America, who characterizes it this way:
“Ephemera includes a broad range of minor (and sometimes major) everyday documents intended for one-time or short-term use. The 402-page Encyclopedia of Ephemera lists more than 500 categories from bookmarks to fruit wrappers to posters to theater tickets.”
For this article, the specific categories (presented among the group’s list of 26) that I am touching on are photographs, postcards, and brochures. In some cases, a few of my items (such as real photo postcards) span multiple categories.
In 2009, I published my first book (and hopefully, many more to come though much time has passed since then without a subsequent offering) about the naval warships that bore the name USS Vincennes. In the process of assembling my collection of artifacts that would be used to provide the readers with some visual references, I realized that I had amassed a significant group of items relating to the CG-49. I also realized that though I had a smattering of items, I was really lacking in anything associated with, at the very least, the two WWII cruisers. This realization catapulted me into active militaria collecting that was very focused.
Since I started writing about militaria, I have authored articles (see below) that include a smattering of some of the items from my own USS Vincennes collection.
- Subtle History – Finding a Unique Naval Militaria Piece
- Collecting U.S. Navy Uniform Ship Identifiers
- Remember Me When You Sleep… Sweetheart Pillow Covers
- Spark Your Collection: Military-Themed Zippos
- A Mere Symbolic Plank: A Navy Ship Plankowner’s Perception
The items documented in these posts represent a growing and well-rounded and ever-increasing group of Vincennes-related militaria and would make for a nice arrangement or display. With my ephemera and philatelic additions, this collection (and any subsequent displays I might set up) takes on a more vibrant and colorful appearance.
The philatelic pieces (covers) from the CA-44 cruiser all date from the late 1930s and provide a documented timeline of the ship’s early years of service. The cover from the CL-64 documents the launching of the second Vincennes cruiser in 1943. Combining the ephemera (photographs) and philatelic pieces, my collection has depth and dimension.
One of the more interesting artifacts in my collection is a postcard that published during the war. When I saw the postcard listed for sale, I noted that it was being sold by someone located in Japan and the text of the listing was lacking details but the title and the artwork were enough to motivate me to submit a bid. The postcard’s face featured an artistic depiction of three American cruisers, wrecked and burning among shell-geysers (as the Japanese ships pressed their attack upon the wounded American cruisers) that, while meant to serve as propaganda, was actually close to what truly happened. I asked a friend translate the Japanese text which revealed the title of the image as, “Night (Attack) Warfare at Tulagi.” The caption states that the painting was displayed at the second Great East Asia War Art Exhibition, which was held in 1943.
The ships that are depicted in the image are (unknown to the Imperial Japanese Navy officials at the time) the USS Quincy, USS Astoria (CA-34) and the USS Vincennes. All were left disabled and burning after a night engagement by Admiral Gunichi Mikawa’s task force at Savo Island. This painting was a propaganda piece that was more fact than inflated story-telling as the attack was the largest surface defeat suffered by the U.S. Navy during WWII.
I was quite surprised to find such a piece existed and was elated to obtain it for my collection.
A Mere Symbolic Plank: A Navy Ship Plankowner’s Perception
As a navy veteran and a part of a ship’s commissioning crew (termed “plankowner”), by tradition, I am entitled to receive a piece of the deck planking when “my” ship is put out of service and dismantled or broken up. In the days when wood-planking was installed on the external (top-side) decks, sailors were actually eligible to receive a section of the teak wood decking material from the Navy Department when the ship was scrapped. Modern warships however, are devoid of wooden deck coverings having steel or aluminum surfaces covered with non-skid material and paint. In light of this, the Navy no longer provides plankowners with the mementos from their ships.
Since the Navy no longer provides sailors with planks, they are left to settle for the symbolic certificate and various paraphernalia (ship ballcaps, Zippo lighters, shirts, coffee mugs, etc.) that is emblazoned with “Plankowner.” Most sailors are satisfied with these representative pieces as reminders of their service aboard their ships, regardless of their synthetic importance. Some sailors still seek pieces of their ship as actual, tangible reminders of the vessels they spent years of their lives serving aboard. But there are challenges to acquiring actual pieces.
Ideally, when ships are stricken from the the Naval Vessel Register, they would be transferred from inactive maintenance storage locations to a ship recycling facility (a private company that is awarded a contract) for dismantling. The persistent plankowner (or collector) would then be able to work with the management at the scrapping facility to acquire a piece. In a perfect world, this scenario works nicely. However, nothing really works perfectly.
Not all decommissioned ships head for the scrapper’s cutting torch. Some ships are leased or sold to friendly nations. Some are used as sacrificial training targets, struck by an array of missiles and naval gunfire before finding their way to the ocean floor. Others were set in place (by way of explosive charges) as artificial reefs (a practice that was terminated in 2012 due to environmental concerns) providing habitat for marine life and attractive destinations for SCUBA divers. Obtaining a piece of the ship in any of these instances is next to impossible. Collectors seeking to remove a piece of a reef ship might want to check the local laws to ensure that they won’t be facing legal issues for such an activity.
The navy ship on which I served (for the first sea tour of my career) was decommissioned in 2005 after slightly less than 20 years of service. Being present that day to see her crew physically disembark the vessel thereby effectively shutting her down, was a surreal experience for me. In those moments, I recalled two decades earlier when my shipmates and I walked from the pier, up the brow and to our stations and placing her into active service. The ship and I had come full circle. Walking her quiet and empty decks after the ceremony, I began searching for a piece that I could take with me – something significant yet small enough to conceal (sailors have a knack for the art of procurement), but there was virtually nothing to be had, save for a t-wrench for a sealed deck-drain and an monkey-fist from the flag bag in the signal bridge (both pieces found their way into my camera bag).
In the seven years since her decommissioning, I was finally able to connect with a person with ties to the ship breaker contracted by the Navy to dispose of the ship (the ship was dismantled from 2010-2011). The person I contacted afforded me the opportunity to acquire a piece with significance – one of the ship’s mast lights. This particular light had been mounted on the ship’s foremast providing a nighttime visual navigation element for other ships’ crews to observe. Having been a lookout watch-stander early in my career, I recall looking up to see the forward light glowing overhead as we steamed through the waters of the Pacific Ocean.
Though my light has no physical markings indicating that it was actually taken from my ship, I do have provenance (from the person who provided me the with the light) to connect the light to the Vincennes. Cast entirely from bronze, the piece is considerably stout, weighing north of 25 pounds. I re-wired the fixture to accommodate a residential 110-volt current (including a dimmer) and hope to have it mounted to a wooden base. The finishing touch will be to affix the light base with a brass plate complete with engraved with details of the ship. In its new life, the mast light will continue to provide light and serve as a reminder of the once proud ship on which it served.
An Open Invitation for Trouble: Risks of Sharing Militaria Collections Online
Today’s post is a bit of a departure from my typical collecting discussion and is something that collectors should consider in term the various risks that exist as they share photos of their collections online. Some of those risks include:
- The family comes calling.
- Thieves trace their way to your collection in order to steal from you.
- Claims (false or otherwise) are made that your item does not belong to you.
- Image theft:
- Used for fraudulent militaria sales.
- Used without photo attribution.
Without belaboring every possible scenario, this post will focus on the four most common potentially negative outcomes.
The Family Comes Calling
My collection is predominantly made up of uniforms that belonged to one of my relatives and the items were passed down to me due to my obvious interest in preserving family history. However, I have made some purchases of uniforms and other personal (named) items that belonged to veterans with no connection to me or my family. Uniforms are normally named (the service member placed identifying marks on the piece – normally on the manufacturer’s label or stenciled in a prominent location on the inside of the garment) with the troop’s last name, first and an initial and possibly their service number (there are variations and exceptions). When one goes as far as to share the identification details of a specific item online (as I did for articles such as, Militaria Rewards – Researching the Veteran and Academic Baseball Award: Rear Admiral Frank W. Fenno’s Baseball Career), I am risking someone reaching out to me to make a claim that the piece belongs in their family’s possession.
Virtually anyone can make a claim to the veteran’s items and state that they are the rightful heir of something that I purchased from a dealer, antiques store or private collector. Within our community there has been lengthy discussion surrounding what one should do if this situation is presented to them by a supposed family member. The stories (of the militaria leaving the family) are varied, ranging from theft to an heir not possessing interest in the military history (who sells the items rather than to pass them to another family member) to an unintended sale. It is easy to be sympathetic but that can be problematic for the collector as it is difficult to determine if the alleged family member is who they say they are (rather than another collector applying guilt and sympathy to get their hands on a desired piece). Here is a fantastic piece that was written regarding what family members should consider prior to contacting a collector in seeking the “return” of a family item.
With regards to the Admiral Fenno medal in the article listed above, I was contacted by a family member that was surprised to find that this medal was not in the family’s hands, let alone that it even existed. I was asked how it came to be in my hands (purchased from a picker who bought it at an estate sale) and speculated that the medal was sold along with other household belongings without any family members realizing what it was. The conversation was friendly between us as we exchanged a few emails. However, the person that I was communicating with wanted me to call them to chat about it further (which left me sensing that there was a request forthcoming). What I was thankful for was that the family member did convey additional history associated with the admiral that wasn’t available through research means. As of now, I am still hesitant to make the call as I don’t want to be asked to give it up. I suspect that the conversation could have been far more direct and uncomfortable between us so I am thankful with what I experienced.
Thieves Target Your Collection
I don’t actively worry about this possibility but I know that it happens. The general public may not realize the monetary value that many militaria pieces possess but people who lack moral compasses understand fully, what collectors are willing to pay for certain pieces. With WWII helmets that are attributable to veterans from well-known battles or engagements bringing sale prices in excess of $5-6,000, or a purple heart medal to a USS Arizona sailor who was KIA during the 7 December attack fetching double that amount, theft is a definite risk. I have read numerous news stories about break-ins and burglaries that involve the theft of militaria from homes. Not only are collectors at risk but veterans themselves are often subjected to these horrible actions:
- Local Marine’s military uniform and medals stolen Independence Day morning
- Former U.S. Marine says con man stole his military medals and uniforms
On occasion, there are successful recoveries:
- 24 military medals returned after being stolen during California dam evacuation
- Veteran’s Stolen Service Medals Returned
We have to be careful of who we invited into our homes being careful to limit visual access to these treasures when we answer the door to the furnace repairman, the plumber or the appliance technician. While they may be fantastic at their jobs, they might also be unwitting participants in tipping off burglars to the militaria inside your home. In addition, collectors need to consider how they share their pieces on social media. If they provide their real names and hometown locations in their public profiles, they could be providing a picking list and a treasure map to these seekers. If one shares their collection online, they should lock down their profiles and limit who can see personal details. Also, be cognizant of what is visible in the photos themselves for easily recognizable landmarks that can be used for locating.
Claims (false or otherwise) Attempting to Invalidate Collectors’ Ownership
In light of the previously listed risk, legally purchasing militaria can very well end up being an illegal transaction. In other words, you could be the recipient of stolen property. There are occasions that arise that upon sharing your collection item online, you face a challenge from someone claiming to be the legal and rightful owner. When one recognizes the flow of militaria from seller to buyer and that by the time it ends up in your own collection, it could have changed hands a few times. The piece could very well have been stolen from the veteran or a subsequent collector before the present owner received it. Imagine the thief selling the item to a picker who, in turn sells the piece at a flea market. That buyer then lists the piece on eBay where you, the collector purchases the piece in good faith. You proudly share your “score” with other collectors when you are contacted by the theft victim. What then?
As with essentially all collecting, the above scenarios are very real. What do you, the collector do? Imagine you paid thousands of dollars for the item? Do you simply surrender it to the victim? How do you know that this person is being honest? How can the claims being made be verified?
When a claim is made against your collection (be it the family, the veteran, a collector, etc.), the best action you can take is to be patient and consider the facts. Does the claimant possess photos of the item? Has a police report been filed (with a genuine case number) that matches the story? Did you record the details (dates, seller, price paid, etc.) of your transactions when you purchased the item? False claims are a part of this hobby and the unscrupulous folks thrive by preying upon good-natured, honest people (consider what happened to Phil Collins, the musician from the rock band, Genesis: Showing Off Your Collection is Not Without Risk). Collectors need to employ the same due diligence used to make sound purchases when these situations arise. I don’t profess to have the answers for every possible scenario but I am prepared as much as I can be to protect my investments.
One of the risks that I want to focus my attention on surrounds the photography that we share of the items in our collections. I imagine that most people don’t consider the copyright protection that exist upon the creation of a photograph. Your photographs that you compose and capture belong to you whether you share them online or publish them in print. No one can reproduce (copy with their camera, grab a screenshot, etc.) without your permission (there are caveats to this and it can be a rather lengthy exploration of the laws and case law). One of the common actions that take place online, on eBay in particular, are the unscrupulous sellers who use other people’s photographs to defraud potential buyers by misrepresenting a similar item or selling taking money for an item that they do not possess and have no intention of delivering.
Another aspect of photo theft is that other collectors or hobbyists take your photos without asking or providing attribution. I have discovered use of my images in a few different manners ranging from a news outlet to sports bloggers (a few of my on-field sports photos were used for both without permission nor attribution). Fellow enthusiasts can also engage in these practices. In the recent months, I have discovered that one of my images of a Third Reich piece in my collection (I inherited it from a family member who served in the European Theater during WWII) has been used throughout the internet without my consent. The image was lifted from one of my Veterans’ Collection posts and has been used to illustrate this particular piece as it pertains to WWII German militaria. Understanding that it is quite a rare item, it doesn’t bother me (as much) when used in this capacity. When I found it being shared on an image-sharing site and being passed off as that person’s own work, it ruffled my feathers a bit.
The photo in question is of a Nazi Socialists Party Security armband that I also have hosted within my Flickr site:
One of the sites where my image has been altered (they removed it from the background) has a massive online reference library of Third Reich armbands:
There are several locations where I have found my photo being used sans permission. Seeing it displayed as another person’s property (they have it listed with “Some rights reserved”) is very infuriating:
Collectors must always be vigilant and cautious about how they share their passion with others. Using the internet as the vehicle for exposing your pieces and discoveries is very easy and may seem to be the safe pursuit, but there is no real insulation from those who would seek to do you or your collection harm.