One of the challenges for collectors of militaria, besides trying to find space for storage, is the art of showcasing and displaying these precious artifacts.
Sadly, many collectors spend more time acquiring items and less organizing and displaying their pieces, leaving them to sit in bags or boxes, tucked away (source: All Experts.com).
Most collectors lack the expansive spaces to construct elaborate display cases that allow for propping up mannequins and life-sized dioramas. I’d imagine that the average militaria enthusiast is very similar to me in that their collection consists predominantly of small items. The lion’s share of my assemblage is made up of shoulder sleeve insignia (Army, Navy, Marine Corps and US Army Air Force), navy enlisted rank insignia (crows) and several, various naval devices, among many other pieces which include medals, ribbons and ribbon bars and a few other pins and devices.
One of the most popular display and storage tools that collectors employ are the inexpensive and easily storable two-sided boxes known as Riker cases or mounts. These simple cases are available in a wide array of sizes and dimensions providing collectors with the ability to both store and display smaller pieces, laying them flat against a cushioned polyester fill material.
For the display of items like medals, especially vintage pieces that have become delicate due to decades of decay, placing them in a shadow box with their planchets hanging from the ribbon suspension only serves to accelerate deterioration of the threads of the ribbon. With a Riker case, the medal lays flat and is held in place, keeping the load of the medal firmly against the polyester fill material.
One added benefit of incorporating Riker mounts into your collection storage and display plans is security and theft prevention. If you intend to show your collection in a public forum, sticky fingers are invariably going to find their way to your displays. Leaving valuable patches, medals or pins sitting on a tabletop only guarantees that you will have to replace something. Leaving your precious items displayed inside a Riker case offers your audience easy viewing yet shields you from suffering loss. Due to the case’s diminutive sizes and flat dimensions, they are easily transported between home and the show.
One downside to using Riker cases for your display is that they tend to be rather bland and ordinary, and lack the ability to hang on a wall or prop up on table. Fortunately for collectors there are crafty entrepreneurs who recognize a need for something more stylish that addresses these deficiencies. Home-Museum.com offers these beautiful yet subtle hand crafted wood frames that wrap around Rikers, providing a touch of sophistication.
Bear in mind that while some Rikers incorporate glass (instead of plexiglass), it more than likely lacks UV protection for the contents. Exercise caution when hanging or displaying your Riker-mounted collection, protecting the valuable pieces from the damaging effects of light.
In a recent online auction, an amazing example of a veteran-painted pith helmet sold for less than $150. Had this helmet been a period correct M1 helmet, there is no telling how much attention it would have drawn from collectors or what incredible amount of money it would have fetched.
Hawley Products Company, one of the manufacturers of M1 helmet liners, made these fiberboard headgear “sun” helmets for use as protection from the intense sunlight and torrential downpours of the South Pacific tropical islands. Due to their lightweight design and construction, the term ‘helmet’ hardly seems applicable when compared to the beefy, bulky nature of the steel pot.
Piths were issued to all branches and were available in two colors or tones. Green was predominantly issued to naval personnel while khaki or light brown went to army and army air forces people. Marines could be seen wearing either color as they were issued whatever was available within the supply system or they adapted to the limited stores-issue and found creative ways to <em>requisition</em> (I use this term quite loosely as some Marines were rather resourceful in cutting through the red tape of the supply system) them.
As with any creative service member deployed away from loved ones and home, artistic expression tended to be revealed on available mediums. Piths, not meant for combat, were viable canvases for these artists to modify with their own personal embellishments. Wearers <em>tended</em> to be rear echelon service-members rather than front-line combatants, but some did don the helmet near the fight. Sometimes the fight came to them while they were engaged in other in-the-rear activities.
If you’re seeking to add a visually stunning helmet to your collection but can’t afford to splurge for the painted steel pot, these pith will certainly add diversity and originality to any display. With patience and diligence applied to your searching techniques or saved searches, you will find the perfect addition.
Although I am not much of a ephemera collector or fancy myself a philatelist, there are certain aspects of these areas of collecting that interest me. More specifically, if there are ephemera or postal items that connect with or align to my focus areas, I try to grab them in an effort to augment my collection.
People might see the term ephemera and wonder what it means. What sort of item can be characterized or classified as such? In order to answer that question, at least for myself, I proceeded to search the internet. One of the first items within the search results was the organization that is dedicated to these collectors, the Ephemera Society of America, who characterizes it this way:
“Ephemera includes a broad range of minor (and sometimes major) everyday documents intended for one-time or short-term use. The 402-page Encyclopedia of Ephemera lists more than 500 categories from bookmarks to fruit wrappers to posters to theater tickets.”
For this article, the specific categories (presented among the group’s list of 26) that I am touching on are photographs, postcards, and brochures. In some cases, a few of my items (such as real photo postcards) span multiple categories.
In 2009, I published my first book (and hopefully, many more to come though much time has passed since then without a subsequent offering) about the naval warships that bore the name USS Vincennes. In the process of assembling my collection of artifacts that would be used to provide the readers with some visual references, I realized that I had amassed a significant group of items relating to the CG-49. I also realized that though I had a smattering of items, I was really lacking in anything associated with, at the very least, the two WWII cruisers. This realization catapulted me into active militaria collecting that was very focused.
Since I started writing about militaria, I have authored articles (see below) that include a smattering of some of the items from my own USS Vincennes collection.
- Subtle History – Finding a Unique Naval Militaria Piece
- Collecting U.S. Navy Uniform Ship Identifiers
- Remember Me When You Sleep… Sweetheart Pillow Covers
- Spark Your Collection: Military-Themed Zippos
- A Mere Symbolic Plank: A Navy Ship Plankowner’s Perception
The items documented in these posts represent a growing and well-rounded and ever-increasing group of Vincennes-related militaria and would make for a nice arrangement or display. With my ephemera and philatelic additions, this collection (and any subsequent displays I might set up) takes on a more vibrant and colorful appearance.
The philatelic pieces (covers) from the CA-44 cruiser all date from the late 1930s and provide a documented timeline of the ship’s early years of service. The cover from the CL-64 documents the launching of the second Vincennes cruiser in 1943. Combining the ephemera (photographs) and philatelic pieces, my collection has depth and dimension.
One of the more interesting artifacts in my collection is a postcard that published during the war. When I saw the postcard listed for sale, I noted that it was being sold by someone located in Japan and the text of the listing was lacking details but the title and the artwork were enough to motivate me to submit a bid. The postcard’s face featured an artistic depiction of three American cruisers, wrecked and burning among shell-geysers (as the Japanese ships pressed their attack upon the wounded American cruisers) that, while meant to serve as propaganda, was actually close to what truly happened. I asked a friend translate the Japanese text which revealed the title of the image as, “Night (Attack) Warfare at Tulagi.” The caption states that the painting was displayed at the second Great East Asia War Art Exhibition, which was held in 1943.
The ships that are depicted in the image are (unknown to the Imperial Japanese Navy officials at the time) the USS Quincy, USS Astoria (CA-34) and the USS Vincennes. All were left disabled and burning after a night engagement by Admiral Gunichi Mikawa’s task force at Savo Island. This painting was a propaganda piece that was more fact than inflated story-telling as the attack was the largest surface defeat suffered by the U.S. Navy during WWII.
I was quite surprised to find such a piece existed and was elated to obtain it for my collection.
As a navy veteran and a part of a ship’s commissioning crew (termed “plankowner”), by tradition, I am entitled to receive a piece of the deck planking when “my” ship is put out of service and dismantled or broken up. In the days when wood-planking was installed on the external (top-side) decks, sailors were actually eligible to receive a section of the teak wood decking material from the Navy Department when the ship was scrapped. Modern warships however, are devoid of wooden deck coverings having steel or aluminum surfaces covered with non-skid material and paint. In light of this, the Navy no longer provides plankowners with the mementos from their ships.
Since the Navy no longer provides sailors with planks, they are left to settle for the symbolic certificate and various paraphernalia (ship ballcaps, Zippo lighters, shirts, coffee mugs, etc.) that is emblazoned with “Plankowner.” Most sailors are satisfied with these representative pieces as reminders of their service aboard their ships, regardless of their synthetic importance. Some sailors still seek pieces of their ship as actual, tangible reminders of the vessels they spent years of their lives serving aboard. But there are challenges to acquiring actual pieces.
Ideally, when ships are stricken from the the Naval Vessel Register, they would be transferred from inactive maintenance storage locations to a ship recycling facility (a private company that is awarded a contract) for dismantling. The persistent plankowner (or collector) would then be able to work with the management at the scrapping facility to acquire a piece. In a perfect world, this scenario works nicely. However, nothing really works perfectly.
Not all decommissioned ships head for the scrapper’s cutting torch. Some ships are leased or sold to friendly nations. Some are used as sacrificial training targets, struck by an array of missiles and naval gunfire before finding their way to the ocean floor. Others were set in place (by way of explosive charges) as artificial reefs (a practice that was terminated in 2012 due to environmental concerns) providing habitat for marine life and attractive destinations for SCUBA divers. Obtaining a piece of the ship in any of these instances is next to impossible. Collectors seeking to remove a piece of a reef ship might want to check the local laws to ensure that they won’t be facing legal issues for such an activity.
The navy ship on which I served (for the first sea tour of my career) was decommissioned in 2005 after slightly less than 20 years of service. Being present that day to see her crew physically disembark the vessel thereby effectively shutting her down, was a surreal experience for me. In those moments, I recalled two decades earlier when my shipmates and I walked from the pier, up the brow and to our stations and placing her into active service. The ship and I had come full circle. Walking her quiet and empty decks after the ceremony, I began searching for a piece that I could take with me – something significant yet small enough to conceal (sailors have a knack for the art of procurement), but there was virtually nothing to be had, save for a t-wrench for a sealed deck-drain and an monkey-fist from the flag bag in the signal bridge (both pieces found their way into my camera bag).
In the seven years since her decommissioning, I was finally able to connect with a person with ties to the ship breaker contracted by the Navy to dispose of the ship (the ship was dismantled from 2010-2011). The person I contacted afforded me the opportunity to acquire a piece with significance – one of the ship’s mast lights. This particular light had been mounted on the ship’s foremast providing a nighttime visual navigation element for other ships’ crews to observe. Having been a lookout watch-stander early in my career, I recall looking up to see the forward light glowing overhead as we steamed through the waters of the Pacific Ocean.
Though my light has no physical markings indicating that it was actually taken from my ship, I do have provenance (from the person who provided me the with the light) to connect the light to the Vincennes. Cast entirely from bronze, the piece is considerably stout, weighing north of 25 pounds. I re-wired the fixture to accommodate a residential 110-volt current (including a dimmer) and hope to have it mounted to a wooden base. The finishing touch will be to affix the light base with a brass plate complete with engraved with details of the ship. In its new life, the mast light will continue to provide light and serve as a reminder of the once proud ship on which it served.