Within the realm of just about every collecting pastime exists undocumented glossaries packed with terms and phrases used to describe certain aspects of that particular genre. For those of us new to collecting, these terms can be some of the biggest obstacles to understanding the ins and outs of collecting, especially as we are trying to navigate our way to better understand specifics and details.
In some instances, terms can be rather self-explanatory (at least for people like me), but still may not make a whole lot of sense. Such is the case with “theater-made.” which seems to be bandied about rather freely.
As I launched into militaria collecting, I saw the term applied to a broad swath of army items, predominantly shoulder sleeve insignia (or patches) dating from World War I to present day. What astounded me was that these experts could spot not only that a particular piece was theater-made, but could tell you where in the world it was made. With certain pieces, a theater-made example could sell for considerably more than an American-made patch. The Australian-made 1st Marine Division patch comes to mind.
As a veteran of the U.S. Navy, theater-made items seem commonplace. During our six month-long deployments to the Western Pacific, our ships would visit ports in countries such as the Philippines and Hong Kong. During our three- and four-day stays, many of us would take what little money we saved and head out to the tailor and embroidery shops to order custom uniforms or uniform items from the local craftsmen. These special-order pieces add a unique and personal touch for uniforms worn out on liberty or to make us stand out in a positive manner during inspection. However, we never thought of these components as theater-made.
As some of the custom pieces are slightly more rudimentary in construction, forgers tend to leverage that to their advantage. When collectors begin to pursue what are being passed off as theater-made items, they must have some sort of education before pulling the trigger to protect themselves from being deceived.
On the cusp of the 2018 Winter Olympics in PyeongChang, South Korea, I find myself scouring the United States team roster in search of service members (current and former) who are making their way to the icy and snowy venues for this year’s competition. Undoubtedly, as the television production of the games progresses, there will be some special interest stories aired that will cover certain members of Team USA who endured and overcame challenges within their sport on their paths to making the US Olympic Team.
|Weber, Nathan||SFC||10th Special Forces Group||Army||4-Man Bobsled|
|Olsen, Justin||SGT||NYNG||4-Man Bobsled|
|Cunningham, Nick||SGT||1156 ENG CO||NYNG||4-Man Bobsled|
|Fogt, Chris||CAPT||Military Intelligence||Army||4-Man Bobsled|
|Sweeney, Emily||SGT||Military Police||ANG||Luge|
When the spotlight of NBC’s coverage shines upon the sledding events (bobsled, luge and skeleton), those feel-good stories very well could include one of more vignettes of the six team USA members who temporarily laid aside their military uniforms in exchange for the read, white and blue skin suits, helmets and spikes for the sledding competition at the Alpensia Sliding Center. Having active duty service personnel and veterans filling spots on Olympics rosters is not a new occurrence for the 2018 team. Some American Olympic competitors were merely civilian, amateur athletes heading into their competitions as was the case with the subject of one of the most compelling and difficult stories of World War II of the experiences of a Southern California track star.
In her 2010 biography, Unbroken, author Laura Hillenbrand’s best-selling work extensively details the life of United States Army Air Force captain, Louis Zamperini and the challenges he faced in the nearly unbelievable life-story. In short, the B-24 that Zamperini was a crew member of, experienced mechanical failures and crashed into the Pacific some 850 miles south of the Hawaiin Islands. Of the 11 crew members, Ernie and two others escaped and spent a harrowing 47 days adrift (one man died) before being picked up by the Japanese. Zamperini would endure two and a half years as a guest of the Emperor of Japan suffering unspeakable abuses, starvation and torture (see the 2014 adapted film, Unbroken).
What does Zamperini have to do with the Olympics? Louis “The Torrence Tornado” Zamperini was a star distance runner from the University of Southern California who placed 8th in the 5,000 meter at the Berlin games in 1936, under Hitler’s watchful eye. Because of his performance at the ’36 games, the Japanese discovered his identity and used his stardom to become the focus of their torture and hatred.
Zamperini’s story aside, I wondered how many U.S. Olympic athletes served in combat. One veteran comes to mind that, for me, has a direct connection to a piece of militaria in my collection. This Olympian finished 5th in the Modern Pentathlon at the 1912 Stockholm summer games behind four Swedes who dominated the event. Second Lieutenant George S. Patton did manage to stir some controversy with the shooting event, opting to use a .38 caliber pistol rather than the more conventional .22-cal. While officially placing 20th, Patton claimed that the rounds which counted as misses had passed through his preceding target strikes. Nevertheless, his low shooting score helped to keep him out of medal contention.
One veteran who competed in two Olympics (1960 Rome and 1964 Tokyo games) as a race walker, has the rare distinction of having been killed in action in the Viet Nam War. West Point graduate (class of 1962), Captain Ronald Zinn, while serving with the 173rd Airborne Division, was killed on July 7, 1965 in a firefight near Saigon. His best Olympic performance was in Tokyo where he placed 6th while competing for his native country, Brazil.
During the summer games in Rio, spectators watched in awe of Michael Phelps’ return to the pool as he racked up five more gold and another silver medal to his already-established record of 22 total. Phelps finished his career with 23 gold, three silver and two bronze medals setting him ahead of the next best (Larisa Latynina of the USSR – 18 total). The all-time greatest Winter Olympic athlete, Ole Einar Bjørndalen, a biathlete from Norway (with 13 medals) has less than half of Phelp’s total. One stat that many Americans will most certainly not know is that prior to Mark Spitz winning his 11th medal at the 1972 games, the sole medal-count (male) leader for the United States was a U.S. Navy veteran.
Naval Academy graduate (class of 1907), Carl Osburn, competed in three Olympic games (Stockholm 1912, Antwerp 1920 and Paris 1924) earning five gold, four silver and two bronze medals in several rifle shooting events. One is left to wonder how many more Osburn would have earned had the 1916 Berlin games not been cancelled due to World War I. In 1936, while in transit from one duty station to another, my uncle was aboard the USS Henderson (AP-1) when Captain Carl Osburn was serving as the ship’s commanding officer which (very) loosely connects pieces of my militaria collection to this Olympic medalist.
Trying to find pieces that cross both militaria and Olympics-collecting can be quite a daunting, if not expensive pursuit for collectors. Due to the extremely small number who competed in the games, anything stemming from one of these veterans will rarely be available for purchase.
One crossover aspect (of these two collecting genres) that I appreciate…and is affordable…is the application of the five rings of the Olympic logo on military-related items. I found a handful of aviation squadron patches that either commemorated the games of a specific year or used the logo in a tongue-in-cheek manner.
These patches definitely interest me and leave me searching the web for theater-made Olympic themed patches that might surface from the returning Afghanistan veterans.
Though the games have yet to begin, the nation that is the heavy favorite to bring home the most hardware is Germany due to the IOC-ban that will exclude the 2014 victor, Russia (as a competing nation) due to their systemic cheating via doping (though a smattering of athletes will be allowed to compete if they are determined to be “clean”). The US team is predicted to finish in fourth place behind Norway and Canada, respectively. I will be watching with great hopes that our sledding teams bring home hardware but more importantly, that they honor both their Team USA and Army uniforms.
See more on U.S. troops competing in the 2018 Winter Games:
I’ve said it so many times in the past: it is paramount to making wise purchases that collectors research an item prior to handing over hard-earned finances to make a purchase. However, there are occasions within militaria collecting where the collector is stumped by what he or she might be looking at, yet still feel compelled to pull the trigger on a deal to acquire it.
Recently, a very dear friend and fellow collector presented me one of his most recent acquisitions and wanted to get my input as to the markings and what they might indicate. He was stumped by some of the heraldry and details but there were other engraved elements that showed the piece to be from World War I.
I spent several minutes examining what appeared to be a trench art matchbox. Clearly, the item shown is constructed from brass and was handmade. The brass plates were rolled out and soldered together to form an oblong can-shape with another piece cut and soldered into place at the top. A piece of wood was shaped and fastened to comprise the case’s bottom, and adhered with some sort of clear glue or shellac. Judging from the length of the box, the brass was an unrolled and flattened small arms casings, a very common resource used in trench art making.
On one side, the maker tooled a pattern and left a smooth shield motif with what appears to be a monogram of the initials, “MB.” At the surrounding corners of the shield are “1914”,” 15”, “16” and “17” which clearly indicates the first few years of World War I.
Etched into the opposing side of the matchbox is what appears to be a crescent or “C” with the opening pointed upward. Inside the crescent are two wings – one, at the bottom, pointing to the left with the top one pointing to the right. Connecting the two wing tips is a heavy line running diagonally, right to left from the top to the bottom. All three pieces appear to form the letter “Z.” Superimposed over the diagonal line is a small numeral two. Over the top of this “winged Z” is appears the year, “1917.” To the top right is a star with radiant beams extending outward to all directions providing a backdrop design. The top panel is etched simply etched with “Champagne”, surrounded by tooled pattern.
I knew that the piece was from WWI and was potentially French or British in origin (it could even be German) due to the dates of the piece, as the U.S. didn’t enter the war until 1917. Could the crescent indicate Arabic or Islamic participation? Could it be connected to the French Foreign Legion? Does “Champagne” refer to the battles that were fought in 1914, 1915, 1916 and 1917?
Due to the sheer beauty of this piece, it has proven to be a very wise investment my friend made (at least in my opinion) regardless of his lack of certainty about it. This matchbox will be a fun and interesting research project. Perhaps one of you recognizes the emblems or has any ideas? I’d love to hear your thoughts!