Category Archives: Other Militaria
Focused on Niche Areas of Collecting: USS Washington
What is the difference between a collector and a hoarder? It is a fair question that I often ask myself, especially when I am at a decision point before pulling the trigger on an acquisition. Some folks may decide to move forward with a purchase based upon a single element while others employ a matrix of factors that guide their choices. As many of these factors are subjective and are unique to the individual, it is impossible for one person to answer a the aforementioned question. Psychology professor Randy O. Frost (of Smith College) wrote a fantastic piece, “When Collecting Becomes Hoarding” that is rather insightful in guiding collectors in avoiding the entrapments that lead to the devastating condition of hoarding.
My (simple to suggest yet difficult to adhere to) advice to those who are interested in collecting militaria can be summed up with just one word: FOCUS! To some, focusing on a national military is focus enough. However, I can only imagine what their homes or storage areas (of someone who collects US Militaria) must look like as they gather pieces from four branches of the armed forces. In my estimation, the level of focus that makes the most sense is one that aligns with several criteria. For me these are:
- What story am I trying to uncover and convey with my collection and does the piece align with it?
- Does artifact meet with my primary interest?
- Does the piece meet my budget constraints?
- Do I have the space to preserve and protect the artifact from further decay and damage or to display and enjoy it?
My collecting has a few, very specific focuses and perhaps the most broad of those resides with baseball militaria. Thankfully, this category is extremely limited in terms of available artifacts which, if I pursued even 50 percent of what arrives on the market, I would still be very limited in what actually landed into my home. Being a Navy veteran, most of my collection touches naval history in some manner. Within this arena, I also pursue artifacts related to a few specific ships (the two that I served aboard and the one that my grandfather commissioned and served aboard during WWII). In total, there are about a half-dozen U.S. Navy warships from which I possess related artifacts.

A cabinet card photograph of the USS Washington that has been hand-toned (colorized) shows the white-and-buff color-scheme of the day (before the Navy transitioned to haze gray). This image has some moisture damage on the right side.

This real photo postcard of the USS Washington (taken while she lies at anchor off of Seattle, her future namesake) is one of my favorite photos of the ship.
One of those warships that I collect is the USS Washington – which is comprised of a few vessels beginning with the Tennessee class Armored Cruiser (ACR-11) that was commissioned in 1906. I also collect items from the three vessels that have carried the name (BB-47, BB-56 and SSN-787) bringing the total pool from which to draw collecting interest (with this ship) to four. Well, let me make a slight correction; The armored cruiser Washington experienced a reclassification and corresponding name-change due to the rapidly advancing technology and the Navy’s ship-naming policies. In 1916, the ship was renamed USS Seattle in order to free up Washington to be used for a new class and in ship-of-the-line-category. Just 22 days following congressional approval for four Colorado-class battleships (coincidentally, the USS Washington would be the only one of the three to not be finished due to terms of the 1922 Washington Naval Treaty).
As I have been able to secure a modest array of pieces that are associated with the earlier USS Washington/USS Seattle (see: Sound Timing and Patience Pays Off and Naval Heritage Commemorated in Silver), the artifacts that arrive to the market for this ship are scarce. In addition to a few homefront pieces and the cruise book, I have managed to assemble a small collection of original vintage photographs (including CDVs, RPPCs and a cabinet card) from this vessel.
It isn’t often that pieces surface onto the market from (or are associated with pr attributed to) a ship that effectively existed for a decade more than a century ago. Artifacts that actually came from a ship can be difficult to prove in the absence of rock solid provenance. Depending upon the time-period, the ship’s name is seldom, if at all, emblazoned onto a equipment or crew-used items aside from wardroom china or silver service elements. Enlisted uniforms (flat hat tallies before WWII and uniform shoulder UIC patches from the 1950s-on), depending on the era, can bear the ship’s name. In my collection are pieces that fit into a different category: ship-associated. These artifacts range from folk/trench art to sweetheart or family (homefront) pieces that serve as reminders of the sailor’s service rather than being derived from the ship itself.

Distracted by the fantastic blue and gold colors along with the name of the ship, I initially believed the pillow dated to the early decades of the 20th century (source: eBay image).
One such piece, associated with one of the ships that I focus my collecting upon, was listed at auction several months ago and caught my attention for several reasons. Brightly colored and adorned with felt-applique lettering and naval adornments, a homefront pillow that bore some similarities to another navy piece that was already in my collection (see: Dream of Me When You Sleep: Homefront Military Pillow Covers). As I reviewed the listing, I began to focus on the similarities shared between my 1918 Navy pillow and this one that was being listed with the initial thought that it might pre-date 1916 (when the USS Washington ACR-11 was reclassified and re-named). I set my bid amount and waited for the auction close as the date that the pillow was made was quite secondary to my desire to have a piece associated with the Washington, regardless of the era or specific hull.
- The stitching of the lettering and the design of the interlocking “USS” hinted that the pillow might have been associated to the USS Washington (ACR-11) hull (source: eBay image).
- More focused on the stitching, I overlooked the CPO insignia design (source: eBay image).

The only original image of the WWII battleship, USS Washington (BB-56) that I have in my collection, shows the bow of the most-decorated non-carrier of WWII slicing through the slightly rough seas of the Pacific. Her two forward mounts of her main battery appear almost diminutive in the absence of objects of scale.
The pillow arrived a week after my successful auction bid secured win, and I spent some time carefully and gently cleaning the artifact as the felt fabric, though not brittle, could easily tear. The backside of the pillow shows considerable fading having been exposed to a constant light source for years (perhaps placed on the back of a sofa near a window). My assumption of the date of the pillow continued as I overlooked a very obvious indication of the true age. It wasn’t until I began to truly examine the pillow while making descriptive notes (just prior to authoring this article) that I finally recognized the most obvious indication of the artifact’s age. On the bottom corner is a felt applique representation of a chief petty officer’s cap device. The “U.S.N.” lettering was near-entirely horizontally aligned adhering to the pattern used by the device’s WWII design.
Despite my “discovery” of the USS Washington pillow’s actual age, it is a rather unique piece for the WWII-era considering that most of the WWII homefront pieces were silk-screened imagery on satin fabric.
- Though this CPO device is very early (second pattern dating to 1910), had the pillow been associated to this period, the CPO device would be more aligned with this style.
- This CPO device was made and used during the early years of WWII. By the war’s end, the “N” was no longer slanted as seen here.
- This CPO emblem affixed to the bottom corner of the pillows face is modeled after the then current design of the hat device worn by chief petty officers. The most glaring difference between a WWI and WWII device is the lettering and the orientation of the chain.
Regardless of the age, the Washington piece fits nicely into this narrow niche of my collecting while keeping me selective with what is added to my collection. Finding the balance in collecting, as with life, helps maintain my sanity, keeps the hobby enjoyable and helps me to avoid cluttering my home and making life miserable for my family.
A Mere Symbolic Plank: A Navy Ship Plankowner’s Perception

A burst of fireworks above amidships as the radars and equipment spring to life following the Vincennes being placed into commission on July 6, 1985 (image source: US Navy).

Not too long after the ship commissioned, crew members ordered these personalized mugs with “plankowner” beneath the ship’s crest.
As a navy veteran and a part of a ship’s commissioning crew (termed “plankowner”), by tradition, I am entitled to receive a piece of the deck planking when “my” ship is put out of service and dismantled or broken up. In the days when wood-planking was installed on the external (top-side) decks, sailors were actually eligible to receive a section of the teak wood decking material from the Navy Department when the ship was scrapped. Modern warships however, are devoid of wooden deck coverings having steel or aluminum surfaces covered with non-skid material and paint. In light of this, the Navy no longer provides plankowners with the mementos from their ships.
Since the Navy no longer provides sailors with planks, they are left to settle for the symbolic certificate and various paraphernalia (ship ballcaps, Zippo lighters, shirts, coffee mugs, etc.) that is emblazoned with “Plankowner.” Most sailors are satisfied with these representative pieces as reminders of their service aboard their ships, regardless of their synthetic importance. Some sailors still seek pieces of their ship as actual, tangible reminders of the vessels they spent years of their lives serving aboard. But there are challenges to acquiring actual pieces.

One of the plankowner items – a Zippo-brand belt buckle – is engraved with the ship’s name, hull number and “Plankowner” along with the image of the ship.
Ideally, when ships are stricken from the the Naval Vessel Register, they would be transferred from inactive maintenance storage locations to a ship recycling facility (a private company that is awarded a contract) for dismantling. The persistent plankowner (or collector) would then be able to work with the management at the scrapping facility to acquire a piece. In a perfect world, this scenario works nicely. However, nothing really works perfectly.
- Vincennes’ skeleton crew disembarks the ship and brings about her end as an active warship.
- A veteran from the CL-64 lowers the CG-49’s ensign as the ship’s crew disembarks the ship.
Not all decommissioned ships head for the scrapper’s cutting torch. Some ships are leased or sold to friendly nations. Some are used as sacrificial training targets, struck by an array of missiles and naval gunfire before finding their way to the ocean floor. Others were set in place (by way of explosive charges) as artificial reefs (a practice that was terminated in 2012 due to environmental concerns) providing habitat for marine life and attractive destinations for SCUBA divers. Obtaining a piece of the ship in any of these instances is next to impossible. Collectors seeking to remove a piece of a reef ship might want to check the local laws to ensure that they won’t be facing legal issues for such an activity.
- The foremast of the Vincennes as seen from the O3 level. My mastlight was taken from this mast.
- The partially dismantled CG-49 hull has already had the foremast (where my mast light was mounted) removed as indicated by the absence in the shadow-silhouette seen on the water (source: Google Earth).
- The Vincennes’ hull has been stripped of the enture superstructure though both of her MK-26 missile launchers remained.
The navy ship on which I served (for the first sea tour of my career) was decommissioned in 2005 after slightly less than 20 years of service. Being present that day to see her crew physically disembark the vessel thereby effectively shutting her down, was a surreal experience for me. In those moments, I recalled two decades earlier when my shipmates and I walked from the pier, up the brow and to our stations and placing her into active service. The ship and I had come full circle. Walking her quiet and empty decks after the ceremony, I began searching for a piece that I could take with me – something significant yet small enough to conceal (sailors have a knack for the art of procurement), but there was virtually nothing to be had, save for a t-wrench for a sealed deck-drain and an monkey-fist from the flag bag in the signal bridge (both pieces found their way into my camera bag).

Fresh from the shipping box, the mast light still needed cleaning. The original wiring can be seen protruding from the electrical fitting.
In the seven years since her decommissioning, I was finally able to connect with a person with ties to the ship breaker contracted by the Navy to dispose of the ship (the ship was dismantled from 2010-2011). The person I contacted afforded me the opportunity to acquire a piece with significance – one of the ship’s mast lights. This particular light had been mounted on the ship’s foremast providing a nighttime visual navigation element for other ships’ crews to observe. Having been a lookout watch-stander early in my career, I recall looking up to see the forward light glowing overhead as we steamed through the waters of the Pacific Ocean.
- Wired and illuminating, the mast light (from USS Vincennes’ foremast) shines in my office.
- The room lights turned off and the mast lights dimmer in the fully-bright position, the light is not only intense but throws off a bit of warmth.
Though my light has no physical markings indicating that it was actually taken from my ship, I do have provenance (from the person who provided me the with the light) to connect the light to the Vincennes. Cast entirely from bronze, the piece is considerably stout, weighing north of 25 pounds. I re-wired the fixture to accommodate a residential 110-volt current (including a dimmer) and hope to have it mounted to a wooden base. The finishing touch will be to affix the light base with a brass plate complete with engraved with details of the ship. In its new life, the mast light will continue to provide light and serve as a reminder of the once proud ship on which it served.
Discovering Rosalie: A French Model 1886 Lebel Bayonet Emerges from the Attic

The cruciform blade of the Lebel. The point on this bayonet is quite sharp and could easily penetrate the heavy wool fabrics of the era.
After a lengthy run of posts covering United States militaria, it seemed appropriate to take a side-jaunt with an attempt to shed a little light upon military artifacts from another nation’s armed forces. Considering my limited experience with foreign military in general and thus even less knowledge in their militaria, I am decidedly headed into uncharted territory with this article.
This site’s three subscribers (ok, there are considerably more, but I seldom field any questions or hear any sort of feedback from them so it can be difficult to discern the actual number) understand that my collection does have a few pieces of foreign militaria and that rather than me seeking and adding them to my archive, they were handed down to me from an uncle who liberated them as war souvenirs during his service in Word War II (he continued on active duty until 1954 having also served in the Korean War. His military career commended when he enlisted to serve during the Great War).
Stowed away inside of trunks since they were sealed in theater and shipped back to the United States following the German surrender, the artifacts hadn’t seen the light of day since May of 1945. In 1994 when the trunks were discovered and opened, I took on the task to identify and obtain valuations for what was inside, once my jaw was able to close after being awestruck by what we found. Following disposition of some of the more rare pieces, I kept what was unsold and remained in my possession. The majority of those artifacts were Third Reich military with a smattering of my uncle’s personal effects and one odd item (that is the focus of this article), a French Model 1886 Lebel Bayonet.
When French chemist Paul Vieille introduced Poudre B, the first smokeless gunpowder in 1884, he propelled (pun very much intended) small arms technology light-years ahead, helping to usher in a new era of rifle and bullet design. While Vielle’s Poudre B produced more explosive force (more than three times that of conventional black powder) at a significantly reduced rate, the Swiss Army’s Eduard Rubin was developing a new jacketed round that would prevent the bullet from melting (as it traversed the rifle barrel) at the higher velocities created by the new gunpowder. The result of these advances prompted French military leadership to fast-track a new infantry rifle that would leverage these advances. The result was the Lebel Model 1886 or Fusil Mle 1886 M93 rifle.

The Lebel bayonet’s handle is in fantastic condition having been stored away for more than 50 years. At the blade’s hilt are the letters “F” and “C” stamped into the metal.
While the Lebel rifle revolutionized infantry weapons, the accompanying bayonet was more inline with earlier , more antiquated designs. The Épée-Baïonnette Modèle 1886 bayonet employed a unique cross-shaped blade (when viewed from the point) which lacked sharpened edges, employing a lengthy point that was designed to penetrate the thick and heavy wool and leather uniforms of the day. The “Rosalie” as it was dubbed by the French, was in use from the 1880s to well into World War I. So popular was the weapon that it became the subject of adoration and lore, that French Poet Théodore Botrel‘s song, Rosalie was dedicated to the glory of “small French bayonets” and came to prominence in 1914 as World War I was ignited.
“Rosalie is elegant
Her sheath-dress tight-fitting,
Pour a drink!
Adorns her up to the neck
Let us drink then”
The Lebel bayonets were made with 20 ½ inch (52.7 cm) long blades, however they can be found in various lengths due to being re-pointed after tip-breakage during battlefield use. During the mid-1930s, many Lebel bayonets were modernized, reducing the length to be more comparable to newer designs and to reduce weight.
- Showing the ends of the scabbard and the Lebel.
- Even the scabbard is in fantastic condition for this Lebel.
In their original design, the handle of the Lebel bayonets were constructed with a nickel-silver handle and a hooked quillion. However, mid-way through WWI (in 1916), conservation of precious metals for other war-uses led these parts being manufactured from brass. The hooked quillion was subsequently eliminated (during wartime production) as a result of battlefield feedback concerning it being cumbersome and easily ensnared on uniforms and accouterments when used on the enemy.
- The serial number of the scabbard is around the frog loop near the opening where the bayonet slides in.
- The Lebel bayonet’s handle is in fantastic condition having been stored away for more than 50 years. At the blade’s hilt are the letters “F” and “C” stamped into the metal.
- Showing the handle and the butt-end of the Lebel. Notice the slot in the handle where it slides onto the attach point of the rifle.
The length of the blade was well-suited for use at the end of a rifle, but as ready fighting knife in the trenches of WWI, it was awkwardly lengthy prompting many soldiers to cut down the blade length to a more stiletto-type thrusting knife.
- The Lebels lock-release and the hooked quillion. Barely visible are the letters “T A” stamped into the quillion just below the intersection with the release housing.
- The Lebel rifle and bayonet mount (image source: Guns Magazine).
As far as the collectibility of this bayonet is concerned, there are several schools of thought ranging from those who avoid the item due to its seemingly abundance and lower values to collectors who see it as a fine representation of weapons-history, worthy of display. A quick glance at online auction listings, prices (at this article’s publishing date), the prices range from $50-300 (with no bids on any of the 20+ items that are available). Obviously, condition, construction and completeness of the bayonet (inclusive of the scabbard and frog) will affect the value.
Collectors could expend a fair amount of their finances seeking out each of the known examples of the Épée-Baïonnette, however I will stand firm with retaining the sole example of Rosalie in my collection. For me, it has more meaning as it was something that my uncle brought back from his service overseas, though I have no insight into whether he acquired it during WWI or WWII.
General Collectors – Senior Military Officers Acting as Relic Hunters
In researching some of my ancestors’ service in the Union Army, my great, great, great grandfather in particular, I discovered an unrelated story about three artifacts that were “purchased” from their owner having considerable significance in American history.
As the Civil War was in its final hours, General Lee sent his aide, Lt. Col. Charles Marshall to secure an appropriate location in which to formalize the surrender and capitulation of the Confederate Army and to bring about the end of more than four years of horrific civil war. The site that was selected was the farmhouse which belonged to Wilmer McLean who had relocated to Appomattox Court House, Virginia to get away from the war that had begun, quite literally in his backyard at Bull Run four years prior.

General Robert E. Lee, left, surrendering his army to Union General Ulysses S. Grant, in the McLean House parlor at Appomattox Court House, in this 1867 painting by Richmond artist Louis Guillaume Photo: AP Photo/courtesy of Appomattox Courthouse National Park
As General Lee and his aide, Marshall waited in the parlor of the McLean house, the victorious yet humble, General Ulysses Grant arrived with his entourage of subordinates which included Lieutenant General Philip Sheridan and his aide, Captain Michael Sheridan. After the exchange of honors and pleasantries, the formalities commenced over the course of three and a half hours, culminating in the exchange of written agreements to the terms of surrender. As the two commanding generals left the house and were departing upon their mounts, the collector activities commenced back inside the parlor.

The two commanders sat across from each other; Lee in a tall caned armchair and Grant in a swivel chair with a padded leather back next to a small oval side table. They made some small talk before Lee asked on what terms Grant would “receive the surrender of my army.” (National Museum of American History)
Understanding the significance of the monumentally historical moment that had just taken place, the burgeoning militaria collectors such as General Edward Ord, the Sheridan brothers (the general and captain), (brevet) Brigadier General Henry Capehart and others began removing the tables and the implements set upon them (candlesticks, ink wells, etc.) unceremoniously providing reimbursements to Wilmer McLean (who had no desire to sell off his furnishings). The cane-bottom chairs were broken apart into bits and pieces with the end results being divvied up among the crowds of relic hunters, leaving McLean’s parlor an empty space.
Collecting war prizes from the vanquished is a long-standing practice that continues to this day and perhaps without the efforts of these eager “collectors,” the artifacts could have been lost to time. Instead, after changing hands numerous times, the table and chair used by General Grant and the chair used by General Lee made their way to the Smithsonian where collectors, historians and history buffs alike can share in what many refer to as the rebirth of the United States of America.
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