Category Archives: Spoils of War

Discovering Rosalie: A French Model 1886 Lebel Bayonet Emerges from the Attic


The cruciform blade of the Lebel. The point on this bayonet is quite sharp and could easily penetrate the heavy wool fabrics of the era.

After a lengthy run of posts covering United States militaria, it seemed appropriate to take a side-jaunt with an attempt to shed a little light upon military artifacts from another nation’s armed forces. Considering my limited experience with foreign military in general and thus even less knowledge in their militaria, I am decidedly headed into uncharted territory with this article.

This site’s three subscribers (ok, there are considerably more, but I seldom field any questions or hear any sort of feedback from them so it can be difficult to discern the actual number) understand that my collection does have a few pieces of foreign militaria and that rather than me seeking and adding them to my archive, they were handed down to me from an uncle who liberated them as war souvenirs during his service in Word War II (he continued on active duty until 1954 having also served in the Korean War. His military career commended when he enlisted to serve during the Great War).

Stowed away inside of trunks since they were sealed in theater and shipped back to the United States following the German surrender, the artifacts hadn’t seen the light of day since May of 1945. In 1994 when the trunks were discovered and opened, I took on the task to identify and obtain valuations for what was inside, once my jaw was able to close after being awestruck by what we found. Following disposition of some of the more rare pieces, I kept what was unsold and remained in my possession. The majority of those artifacts were Third Reich military with a smattering of my uncle’s personal effects and one odd item (that is the focus of this article), a French Model 1886 Lebel Bayonet.

When French chemist Paul Vieille introduced Poudre B, the first smokeless gunpowder in 1884, he propelled (pun very much intended) small arms technology light-years ahead, helping to usher in a new era of rifle and bullet design. While Vielle’s Poudre B produced more explosive force (more than three times that of conventional black powder) at a significantly reduced rate, the Swiss Army’s Eduard Rubin was developing a new jacketed round that would prevent the bullet from melting (as it traversed the rifle barrel) at the higher velocities created by the new gunpowder. The result of these advances prompted French military leadership to fast-track a new infantry rifle that would leverage these advances. The result was the Lebel Model 1886 or Fusil Mle 1886 M93 rifle.

The Lebel bayonet’s handle is in fantastic condition having been stored away for more than 50 years. At the blade’s hilt are the letters “F” and “C” stamped into the metal.

While the Lebel rifle revolutionized infantry weapons, the accompanying bayonet was more inline with earlier , more antiquated designs. The Épée-Baïonnette Modèle 1886 bayonet employed a unique cross-shaped blade (when viewed from the point) which lacked sharpened edges, employing a lengthy point that was designed to penetrate the thick and heavy wool and leather uniforms of the day. The “Rosalie” as it was dubbed by the French, was in use from the 1880s to well into World War I. So popular was the weapon that it became the subject of adoration and lore, that French Poet Théodore Botrel‘s song, Rosalie was dedicated to the glory of “small French bayonets” and came to prominence in 1914 as World War I was ignited.

“Rosalie is elegant
Her sheath-dress tight-fitting,
Pour a drink!
Adorns her up to the neck
Let us drink then”

The Lebel bayonets were made with 20 ½ inch (52.7 cm) long blades, however they can be found in various lengths due to being re-pointed after tip-breakage during battlefield use. During the mid-1930s, many Lebel bayonets were modernized, reducing the length to be more comparable to newer designs and to reduce weight.

In their original design, the handle of the Lebel bayonets were constructed with a nickel-silver handle and a hooked quillion. However, mid-way through WWI (in 1916), conservation of precious metals for other war-uses led these parts being manufactured from brass. The hooked quillion was subsequently eliminated (during wartime production) as a result of battlefield feedback concerning it being cumbersome and easily ensnared on uniforms and accouterments when used on the enemy.

The length of the blade was well-suited for use at the end of a rifle, but as ready fighting knife in the trenches of WWI, it was awkwardly lengthy prompting many soldiers to cut down the blade length to a more stiletto-type thrusting knife.

As far as the collectibility of this bayonet is concerned, there are several schools of thought ranging from those who avoid the item due to its seemingly abundance and lower values to collectors who see it as a fine representation of weapons-history, worthy of display. A quick glance at online auction listings, prices (at this article’s publishing date), the prices range from $50-300 (with no bids on any of the 20+ items that are available). Obviously, condition, construction and completeness of the bayonet (inclusive of the scabbard and frog) will affect the value.

Collectors could expend a fair amount of their finances seeking out each of the known examples of the Épée-Baïonnette, however I will stand firm with retaining the sole example of Rosalie in my collection. For me, it has more meaning as it was something that my uncle brought back from his service overseas, though I have no insight into whether he acquired it during WWI or WWII.

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General Collectors – Senior Military Officers Acting as Relic Hunters


In researching some of my ancestors’ service in the Union Army, my great, great, great grandfather in particular, I discovered an unrelated story about three artifacts that were “purchased” from their owner having considerable significance in American history.

As the Civil War was in its final hours, General Lee sent his aide, Lt. Col. Charles Marshall to secure an appropriate location in which to formalize the surrender and capitulation of the Confederate Army and to bring about the end of more than four years of horrific civil war. The site that was selected was the farmhouse which belonged to Wilmer McLean who had relocated to Appomattox Court House, Virginia to get away from the war that had begun, quite literally in his backyard at Bull Run four years prior.

General Robert E. Lee, left, surrendering his army to Union General Ulysses S. Grant, in the McLean House parlor at Appomattox Court House, in this 1867 painting by Richmond artist Louis Guillaume Photo: AP Photo/courtesy of Appomattox Courthouse National Park

As General Lee and his aide, Marshall waited in the parlor of the McLean house, the victorious yet humble, General Ulysses Grant arrived with his entourage of subordinates which included Lieutenant General Philip Sheridan and his aide, Captain Michael Sheridan. After the exchange of honors and pleasantries, the formalities commenced over the course of three and a half hours, culminating in the exchange of written agreements to the terms of surrender. As the two commanding generals left the house and were departing upon their mounts, the collector activities commenced back inside the parlor.

The two commanders sat across from each other; Lee in a tall caned armchair and Grant in a swivel chair with a padded leather back next to a small oval side table. They made some small talk before Lee asked on what terms Grant would “receive the surrender of my army.” (National Museum of American History)

Understanding the significance of the monumentally historical moment that had just taken place, the burgeoning militaria collectors such as General Edward Ord, the Sheridan brothers (the general and captain), (brevet) Brigadier General Henry Capehart and others began removing the tables and the implements set upon them (candlesticks, ink wells, etc.) unceremoniously providing reimbursements to Wilmer McLean (who had no desire to sell off his furnishings). The cane-bottom chairs were broken apart into bits and pieces with the end results being divvied up among the crowds of relic hunters, leaving McLean’s parlor an empty space.

Collecting war prizes from the vanquished is a long-standing practice that continues to this day and perhaps without the efforts of these eager “collectors,” the artifacts could have been lost to time. Instead, after changing hands numerous times, the table and chair used by General Grant and the chair used by General Lee made their way to the Smithsonian where collectors, historians and history buffs alike can share in what many refer to as the rebirth of the United States of America.

See also:

WWI Aero Trophies: Aviation Artifacts of Aero-Warriors


Archaeologists could agree that in some form or fashion, militaria collecting has been around seemingly since men have gone to war. Though the concept may not have been seen as collecting, at a base level, man has maintained combat-related artifacts to remind him of battles won or brothers-in-arms that were lost. Not only has man sought to remember his warring past, he has long maintained the spoils of war by removing specific items of his vanquished opponent’s body as it laid on the field of battle.

This illustration from Tut’s tomb shows the young pharaoh at war in his chariot (source: Araldo De Luca).

This illustration from Tut’s tomb shows the young pharaoh at war in his chariot (source: Araldo De Luca).

When some of the tombs of the ancient Egyptian pharaohs were opened and the contents were inspected and cataloged, among the gilded, religious and life-story items were weapons of war. Free from the worries and troubles of earth, anthropologists and Egyptologists surmised that the military pieces were objects that heralded the deceased king’s victories. Within the tomb of the most widely known pharaoh, King Tutankhamen (or “Tut”), among several depictions of him in combat, was his beautifully ornate chariot that would, more than likely, have been used in battle as documented throughout his burial treasure.

This section of fabric from an aircraft belonging to the famed Lafayette Escadrille (a squadron of American volunteers that flew for France during WWI) recently sold at auction (source: Cowan Auctions).

This section of fabric from an aircraft belonging to the famed Lafayette Escadrille (a squadron of American volunteers that flew for France during WWI) recently sold at auction (source: Cowan Auctions).

With the advancement of technology came the modern version of the chariot during World War I, the airplane. The warrior who battled from the seat of these modern machines, though differently equipped, had much in common with the brave Egyptian warriors of ancient times as they bravely piloted their flying machines into the center of the fray. In the quiet of the battle’s aftermath, these warriors would, if possible, descend from their winged chariots to survey their opponent’s wreckage, tearing or cutting strategic pieces of the fabric that contained specific identifying marks that helped to tell their story to both their squadron mates and to their leaders, providing quantifiable evidence of their success.

This section of cloth survives from an aircraft of the 1st Army Aero Pursuit Squadron and is preserved at the Museum of Flight in Seattle, Washington.

This section of cloth survives from an aircraft of the 1st Army Aero Pursuit Squadron and is preserved at the Museum of Flight in Seattle, Washington.

In many cases, these aerial opponents would extend honors that were reserved for their own fallen heroes, to their vanquished enemies. When Manfred von Richthofen, Rittmeister (Cavalry Captain) of the Luftstreitkräfte (Imperial German Army Air Service) was killed when his Fokker Dr1 was downed, members of the Royal Air Force took custody of his remains. To a casual observer viewing his funeral service, it would have appeared that a renowned British war hero was being laid to rest by the varying honors being rendered to this fallen adversary. However, the preservation of his aircraft was overlooked as souvenir hunters quickly rendered the nearly undamaged plane a shamble as they haphazardly dismantled it.

Bestowing honor upon fallen adversaries was practice by the Allies’ opponents, the Germans. Quentin Roosevelt, son of the former president and colonel (from the Spanish-American War’s Rough Riders), was an aviator in the 95th Aero Squadron, flying pursuit aircraft such as the French-made Nieuport 28. After he was shot down during an engagement, his flight of twelve was jumped by seven German fighter planes. Roosevelt received two fatal bullet wounds to his head and his aircraft rolled over and spiraled to the ground. His subsequent funeral service was witnessed by a fellow American soldier, Captain James E. Gee (110th Infantry) who had earlier been taken prisoner:

“In a hollow square about the open grave were assembled approximately one thousand German soldiers, standing stiffly in regular lines. They were dressed in field gray uniforms, wore steel helmets, and carried rifles. Near the grave was a smashed plane, and beside it was a small group of officers, one of whom was speaking to the men. I did not pass close enough to hear what he was saying; we were prisoners and did have the privilege of lingering, even for such an occasion as this. At the time, I did not know who was being buried, but the guards informed me later. The funeral certainly was elaborate. I was told afterward by Germans that they paid Lieutenant Roosevelt such honor not only because he was a gallant aviator, who died fighting bravely against odds, but because he was the son of Colonel Roosevelt whom they esteemed as one of the greatest Americans.”

Similar to the flag shown on Pawn Stars, this WWI aircraft has a flag painted on the fuselage side.

Similar to the flag shown on Pawn Stars, this WWI aircraft has a flag painted on the fuselage side.

Collecting aviation artifacts from WWI is becoming increasingly difficult as nearly a century has elapsed since the armistice was signed. The soft materials that made up the uniforms and accouterments are under continuous attack from the ravages of time and every manner of decay brought on by insects and ultraviolet exposure. Museums in the last few decades have done amazing work at acquiring the best examples of surviving armament and other hardware to provide their audiences with incredible displays and depictions of the Great War. When the rarest pieces arrive in the marketplace, the heavy competition ensues driving the prices skyward.

In an older episode of the History Channel’s Pawn Stars (the “Stick to Your Guns” episode), a woman enters the shop with a rolled-up section of old fabric emblazoned with a hand-painted representation of an American flag. She tells the story of her American serviceman relative darting over to a recently wrecked plane to cut out the flag, saving it from the ensuing fire resulting from the crash.

This flag looks to have been cut from a WWI American aircraft. The jury is still out as to whose aircraft it was removed from (source: Pawn Stars screen grab).

This flag looks to have been cut from a WWI American aircraft. The jury is still out as to whose aircraft it was removed from (source: Pawn Stars screen grab).

In providing the requested provenance, she presents a pair of World War I dog tags. One of the tags shows the information for her ancestor while the other contains the personal identification of Lieutenant Quentin Roosevelt. The Pawn Stars segment could easily lead viewers to draw the conclusion that the flag was removed from Roosevelt’s wreckage but that would be a considerable leap based upon the story of the retrieval and the burning aircraft. It would have been difficult for American to do so, considering that Roosevelt crashed behind enemy lines.

Ultimately, the Pawn Stars folks purchased the flag (the price was well into four figures) despite the lack of connection to Roosevelt. In my opinion, they probably overpaid for the piece but considering that it was destined for Gold & Silver Pawn Shop owner Rick Harrison’s personal collection, it wasn’t too much of a reach.