Category Archives: Military Folk Art
In a recent online auction, an amazing example of a veteran-painted pith helmet sold for less than $150. Had this helmet been a period correct M1 helmet, there is no telling how much attention it would have drawn from collectors or what incredible amount of money it would have fetched.
Hawley Products Company, one of the manufacturers of M1 helmet liners, made these fiberboard headgear “sun” helmets for use as protection from the intense sunlight and torrential downpours of the South Pacific tropical islands. Due to their lightweight design and construction, the term ‘helmet’ hardly seems applicable when compared to the beefy, bulky nature of the steel pot.
Piths were issued to all branches and were available in two colors or tones. Green was predominantly issued to naval personnel while khaki or light brown went to army and army air forces people. Marines could be seen wearing either color as they were issued whatever was available within the supply system or they adapted to the limited stores-issue and found creative ways to <em>requisition</em> (I use this term quite loosely as some Marines were rather resourceful in cutting through the red tape of the supply system) them.
As with any creative service member deployed away from loved ones and home, artistic expression tended to be revealed on available mediums. Piths, not meant for combat, were viable canvases for these artists to modify with their own personal embellishments. Wearers <em>tended</em> to be rear echelon service-members rather than front-line combatants, but some did don the helmet near the fight. Sometimes the fight came to them while they were engaged in other in-the-rear activities.
If you’re seeking to add a visually stunning helmet to your collection but can’t afford to splurge for the painted steel pot, these pith will certainly add diversity and originality to any display. With patience and diligence applied to your searching techniques or saved searches, you will find the perfect addition.
I’ve said it so many times in the past: it is paramount to making wise purchases that collectors research an item prior to handing over hard-earned finances to make a purchase. However, there are occasions within militaria collecting where the collector is stumped by what he or she might be looking at, yet still feel compelled to pull the trigger on a deal to acquire it.
Recently, a very dear friend and fellow collector presented me one of his most recent acquisitions and wanted to get my input as to the markings and what they might indicate. He was stumped by some of the heraldry and details but there were other engraved elements that showed the piece to be from World War I.
I spent several minutes examining what appeared to be a trench art matchbox. Clearly, the item shown is constructed from brass and was handmade. The brass plates were rolled out and soldered together to form an oblong can-shape with another piece cut and soldered into place at the top. A piece of wood was shaped and fastened to comprise the case’s bottom, and adhered with some sort of clear glue or shellac. Judging from the length of the box, the brass was an unrolled and flattened small arms casings, a very common resource used in trench art making.
On one side, the maker tooled a pattern and left a smooth shield motif with what appears to be a monogram of the initials, “MB.” At the surrounding corners of the shield are “1914”,” 15”, “16” and “17” which clearly indicates the first few years of World War I.
Etched into the opposing side of the matchbox is what appears to be a crescent or “C” with the opening pointed upward. Inside the crescent are two wings – one, at the bottom, pointing to the left with the top one pointing to the right. Connecting the two wing tips is a heavy line running diagonally, right to left from the top to the bottom. All three pieces appear to form the letter “Z.” Superimposed over the diagonal line is a small numeral two. Over the top of this “winged Z” is appears the year, “1917.” To the top right is a star with radiant beams extending outward to all directions providing a backdrop design. The top panel is etched simply etched with “Champagne”, surrounded by tooled pattern.
I knew that the piece was from WWI and was potentially French or British in origin (it could even be German) due to the dates of the piece, as the U.S. didn’t enter the war until 1917. Could the crescent indicate Arabic or Islamic participation? Could it be connected to the French Foreign Legion? Does “Champagne” refer to the battles that were fought in 1914, 1915, 1916 and 1917?
Due to the sheer beauty of this piece, it has proven to be a very wise investment my friend made (at least in my opinion) regardless of his lack of certainty about it. This matchbox will be a fun and interesting research project. Perhaps one of you recognizes the emblems or has any ideas? I’d love to hear your thoughts!
While reading a discussion on a militaria forum regarding a World War I veteran’s medal group (that at that time had recently been listed for sale by Bay State Militaria), I was reminded that so much in military collecting is out of reach for my budget. This particular collection of artifacts contained the Army officer’s decorations and medals which included the Distinguished Service Cross, Belgian Order of the Crown, Knights level, Belgian Croix de Guerre, three awards of the French Croix de Guerre, United States Silver Star Medal, Purple Heart Medal, Legion of Honor, Knights class and many other decorations. Not only was this group considerably out of my reach but I couldn’t even afford to purchase this soldier’s WWI Victory medal (which included ten clasps, documenting the battles he participated in) if it had been parted out. The group was listed for just under $6,800 and based upon the amount of history the buyer acquired (yes, it sold very shortly after it was listed), it was worth every penny.
The career of the veteran was not only significant during his time in uniform but in his work after he served. In reading his history-making accomplishments as noted, one could see why this grouping commanded such a high listing price:
- “This Officer was decorated while attached to the British during advanced Chemical Training in 1918. He then personally led the first American Chemical Weapons Attack in History as Company Commander of B Company, 1ST Gas and Flame Regiment.”
- “A very historic grouping with a famous painting of this Officer by Joseph Cummings Chase which is in itself a treasure. This portrait was one of 125 painted in France in 1918-19 by Joseph Cummings Chase. approximately 75 ended up in the National Portrait Gallery in Washington, DC. This is one of just a few known to be in Private Hands.”
This WWI Army officer’s (his name was not disclosed) group is purely museum quality as this officer also played a significant engineering role (during the interwar period) on New York’s George Washington Bridge and Holland Tunnel construction projects.
Meanwhile, back in the realm where I live (known to me simply as reality), my World War I collection consists of a few items that were affordable and have visual appeal. With my family serving in every American conflict dating back to the War for Independence, I try to locate objects that will display well and have some sort of connection to my family’s military heritage.
Two pieces that fit my criteria (as stated above) and met my budgetary constraints are these WWI-specific wool flannel pillow covers. As it turns out, their similar designs complement each other quite well and will look fantastic on my office wall.
Pillow covers were quite popular during World War II with most designs being simple silk-screened patterns or pictorials on silk material. Typically, these were gifts purchased by the service members and sent to family and sweethearts as reminders of the loved one away at war. During the war, these were mass-produced and can be acquired without severely crippling your collecting budget.
Commemorating a wide variety of subjects such as military branches of service, forts or military bases, ships or aircraft, pillow covers have been dated to the first few years of the twentieth century. The early examples tend to be constructed from a wool flannel with lettering and designs stitched to the face.
While the common designs of WWII (such as the more generic “Army” and “Navy” versions) will be plentiful and therefore inexpensive, the more ornate or specific they are, the price will be higher. With Navy ships of significance (such as the USS Arizona or Enterprise) expect to pay a premium.
While there are certainly traditional military items that folks collect such as uniform items and weapons, some people aren’t satisfied with the status quo of militaria collecting. It takes a person with a bit of a twisted perspective to seek out the strange or odd items or to possess the ability to see the contextual vantage point of the militaria collector.
Suppose that there are collectors who focus on field surgeon equipment from the Civil War era. A collection might include medicines and physician’s guides, but it could also include surgical implements. Aside from the traditional scalpel set, expect to see an array of macabre bone saws and tourniquets.
Another example of what some folks might deem as odd militaria could be a collection of named (meaning, engraved with the veteran’s name) Purple Heart medals awarded to service members who were killed in action (KIA). While this may also seem dark, most collectors of Purple Hearts (at least that I’ve encountered) see this as a way to preserve history and share the story of those who made the ultimate sacrifice for our nation. Whenever I glimpse one of these medals, I am overwhelmed when I consider the price that was paid by an American.
One of the most bizarre items of militaria that I have personally seen was at the Indiana Military Museum located in Vincennes, Indiana. Among the wonderful displays is a group of items that belonged to soldier who served during the 1898 war with Spain.
It seems that he suffered a debilitating head wound when some stored ammunition exploded, emitting a destructive array of metal and wood debris. The result of the wounds sustained by Sergeant Gustave Baither was the traumatic loss of one of his eyes.
In my own collection, I have preserved an item that to the untrained eye would be indistinguishable as something pertaining to military use. However, this piece is a part of naval and seafarer tradition spanning centuries of sea-going service. Hand-made from a section of 1-1/2-inch fire hose, a piece of a broom handle, electrical heat-shrink tape and wrapped with braided shotline (used during Underway Replenishment), the shillelagh is a centerpiece of the equator crossing initiation ceremony known as Wog Day.
My shillelagh, made during my last sea deployment in 1989, was used to provide much-needed correction to the pollywogs (those who hadn’t crossed the equator) by applying gentle (ok… maybe not-so-gentle) swats to their posterior region as they crawl across the ship’s decks. Upon completion of that cruise, my shillelagh was tossed into my closet where it has remained, almost forgotten… that is until my kids wanted to learn about Navy traditions.
What unusual items are in your collections?