Category Archives: Military Folk Art
What is the difference between a collector and a hoarder? It is a fair question that I often ask myself, especially when I am at a decision point before pulling the trigger on an acquisition. Some folks may decide to move forward with a purchase based upon a single element while others employ a matrix of factors that guide their choices. As many of these factors are subjective and are unique to the individual, it is impossible for one person to answer a the aforementioned question. Psychology professor Randy O. Frost (of Smith College) wrote a fantastic piece, “When Collecting Becomes Hoarding” that is rather insightful in guiding collectors in avoiding the entrapments that lead to the devastating condition of hoarding.
My (simple to suggest yet difficult to adhere to) advice to those who are interested in collecting militaria can be summed up with just one word: FOCUS! To some, focusing on a national military is focus enough. However, I can only imagine what their homes or storage areas (of someone who collects US Militaria) must look like as they gather pieces from four branches of the armed forces. In my estimation, the level of focus that makes the most sense is one that aligns with several criteria. For me these are:
- What story am I trying to uncover and convey with my collection and does the piece align with it?
- Does artifact meet with my primary interest?
- Does the piece meet my budget constraints?
- Do I have the space to preserve and protect the artifact from further decay and damage or to display and enjoy it?
My collecting has a few, very specific focuses and perhaps the most broad of those resides with baseball militaria. Thankfully, this category is extremely limited in terms of available artifacts which, if I pursued even 50 percent of what arrives on the market, I would still be very limited in what actually landed into my home. Being a Navy veteran, most of my collection touches naval history in some manner. Within this arena, I also pursue artifacts related to a few specific ships (the two that I served aboard and the one that my grandfather commissioned and served aboard during WWII). In total, there are about a half-dozen U.S. Navy warships from which I possess related artifacts.
One of those warships that I collect is the USS Washington – which is comprised of a few vessels beginning with the Tennessee class Armored Cruiser (ACR-11) that was commissioned in 1906. I also collect items from the three vessels that have carried the name (BB-47, BB-56 and SSN-787) bringing the total pool from which to draw collecting interest (with this ship) to four. Well, let me make a slight correction; The armored cruiser Washington experienced a reclassification and corresponding name-change due to the rapidly advancing technology and the Navy’s ship-naming policies. In 1916, the ship was renamed USS Seattle in order to free up Washington to be used for a new class and in ship-of-the-line-category. Just 22 days following congressional approval for four Colorado-class battleships (coincidentally, the USS Washington would be the only one of the three to not be finished due to terms of the 1922 Washington Naval Treaty).
As I have been able to secure a modest array of pieces that are associated with the earlier USS Washington/USS Seattle (see: Sound Timing and Patience Pays Off and Naval Heritage Commemorated in Silver), the artifacts that arrive to the market for this ship are scarce. In addition to a few homefront pieces and the cruise book, I have managed to assemble a small collection of original vintage photographs (including CDVs, RPPCs and a cabinet card) from this vessel.
It isn’t often that pieces surface onto the market from (or are associated with pr attributed to) a ship that effectively existed for a decade more than a century ago. Artifacts that actually came from a ship can be difficult to prove in the absence of rock solid provenance. Depending upon the time-period, the ship’s name is seldom, if at all, emblazoned onto a equipment or crew-used items aside from wardroom china or silver service elements. Enlisted uniforms (flat hat tallies before WWII and uniform shoulder UIC patches from the 1950s-on), depending on the era, can bear the ship’s name. In my collection are pieces that fit into a different category: ship-associated. These artifacts range from folk/trench art to sweetheart or family (homefront) pieces that serve as reminders of the sailor’s service rather than being derived from the ship itself.
One such piece, associated with one of the ships that I focus my collecting upon, was listed at auction several months ago and caught my attention for several reasons. Brightly colored and adorned with felt-applique lettering and naval adornments, a homefront pillow that bore some similarities to another navy piece that was already in my collection (see: Dream of Me When You Sleep: Homefront Military Pillow Covers). As I reviewed the listing, I began to focus on the similarities shared between my 1918 Navy pillow and this one that was being listed with the initial thought that it might pre-date 1916 (when the USS Washington ACR-11 was reclassified and re-named). I set my bid amount and waited for the auction close as the date that the pillow was made was quite secondary to my desire to have a piece associated with the Washington, regardless of the era or specific hull.
The pillow arrived a week after my successful auction bid secured win, and I spent some time carefully and gently cleaning the artifact as the felt fabric, though not brittle, could easily tear. The backside of the pillow shows considerable fading having been exposed to a constant light source for years (perhaps placed on the back of a sofa near a window). My assumption of the date of the pillow continued as I overlooked a very obvious indication of the true age. It wasn’t until I began to truly examine the pillow while making descriptive notes (just prior to authoring this article) that I finally recognized the most obvious indication of the artifact’s age. On the bottom corner is a felt applique representation of a chief petty officer’s cap device. The “U.S.N.” lettering was near-entirely horizontally aligned adhering to the pattern used by the device’s WWII design.
Despite my “discovery” of the USS Washington pillow’s actual age, it is a rather unique piece for the WWII-era considering that most of the WWII homefront pieces were silk-screened imagery on satin fabric.
Regardless of the age, the Washington piece fits nicely into this narrow niche of my collecting while keeping me selective with what is added to my collection. Finding the balance in collecting, as with life, helps maintain my sanity, keeps the hobby enjoyable and helps me to avoid cluttering my home and making life miserable for my family.
In a recent online auction, an amazing example of a veteran-painted pith helmet sold for less than $150. Had this helmet been a period correct M1 helmet, there is no telling how much attention it would have drawn from collectors or what incredible amount of money it would have fetched.
Hawley Products Company, one of the manufacturers of M1 helmet liners, made these fiberboard headgear “sun” helmets for use as protection from the intense sunlight and torrential downpours of the South Pacific tropical islands. Due to their lightweight design and construction, the term ‘helmet’ hardly seems applicable when compared to the beefy, bulky nature of the steel pot.
Piths were issued to all branches and were available in two colors or tones. Green was predominantly issued to naval personnel while khaki or light brown went to army and army air forces people. Marines could be seen wearing either color as they were issued whatever was available within the supply system or they adapted to the limited stores-issue and found creative ways to <em>requisition</em> (I use this term quite loosely as some Marines were rather resourceful in cutting through the red tape of the supply system) them.
As with any creative service member deployed away from loved ones and home, artistic expression tended to be revealed on available mediums. Piths, not meant for combat, were viable canvases for these artists to modify with their own personal embellishments. Wearers <em>tended</em> to be rear echelon service-members rather than front-line combatants, but some did don the helmet near the fight. Sometimes the fight came to them while they were engaged in other in-the-rear activities.
If you’re seeking to add a visually stunning helmet to your collection but can’t afford to splurge for the painted steel pot, these pith will certainly add diversity and originality to any display. With patience and diligence applied to your searching techniques or saved searches, you will find the perfect addition.
I’ve said it so many times in the past: it is paramount to making wise purchases that collectors research an item prior to handing over hard-earned finances to make a purchase. However, there are occasions within militaria collecting where the collector is stumped by what he or she might be looking at, yet still feel compelled to pull the trigger on a deal to acquire it.
Recently, a very dear friend and fellow collector presented me one of his most recent acquisitions and wanted to get my input as to the markings and what they might indicate. He was stumped by some of the heraldry and details but there were other engraved elements that showed the piece to be from World War I.
I spent several minutes examining what appeared to be a trench art matchbox. Clearly, the item shown is constructed from brass and was handmade. The brass plates were rolled out and soldered together to form an oblong can-shape with another piece cut and soldered into place at the top. A piece of wood was shaped and fastened to comprise the case’s bottom, and adhered with some sort of clear glue or shellac. Judging from the length of the box, the brass was an unrolled and flattened small arms casings, a very common resource used in trench art making.
On one side, the maker tooled a pattern and left a smooth shield motif with what appears to be a monogram of the initials, “MB.” At the surrounding corners of the shield are “1914”,” 15”, “16” and “17” which clearly indicates the first few years of World War I.
Etched into the opposing side of the matchbox is what appears to be a crescent or “C” with the opening pointed upward. Inside the crescent are two wings – one, at the bottom, pointing to the left with the top one pointing to the right. Connecting the two wing tips is a heavy line running diagonally, right to left from the top to the bottom. All three pieces appear to form the letter “Z.” Superimposed over the diagonal line is a small numeral two. Over the top of this “winged Z” is appears the year, “1917.” To the top right is a star with radiant beams extending outward to all directions providing a backdrop design. The top panel is etched simply etched with “Champagne”, surrounded by tooled pattern.
I knew that the piece was from WWI and was potentially French or British in origin (it could even be German) due to the dates of the piece, as the U.S. didn’t enter the war until 1917. Could the crescent indicate Arabic or Islamic participation? Could it be connected to the French Foreign Legion? Does “Champagne” refer to the battles that were fought in 1914, 1915, 1916 and 1917?
Due to the sheer beauty of this piece, it has proven to be a very wise investment my friend made (at least in my opinion) regardless of his lack of certainty about it. This matchbox will be a fun and interesting research project. Perhaps one of you recognizes the emblems or has any ideas? I’d love to hear your thoughts!
While reading a discussion on a militaria forum regarding a World War I veteran’s medal group (that at that time had recently been listed for sale by Bay State Militaria), I was reminded that so much in military collecting is out of reach for my budget. This particular collection of artifacts contained the Army officer’s decorations and medals which included the Distinguished Service Cross, Belgian Order of the Crown, Knights level, Belgian Croix de Guerre, three awards of the French Croix de Guerre, United States Silver Star Medal, Purple Heart Medal, Legion of Honor, Knights class and many other decorations. Not only was this group considerably out of my reach but I couldn’t even afford to purchase this soldier’s WWI Victory medal (which included ten clasps, documenting the battles he participated in) if it had been parted out. The group was listed for just under $6,800 and based upon the amount of history the buyer acquired (yes, it sold very shortly after it was listed), it was worth every penny.
The career of the veteran was not only significant during his time in uniform but in his work after he served. In reading his history-making accomplishments as noted, one could see why this grouping commanded such a high listing price:
- “This Officer was decorated while attached to the British during advanced Chemical Training in 1918. He then personally led the first American Chemical Weapons Attack in History as Company Commander of B Company, 1ST Gas and Flame Regiment.”
- “A very historic grouping with a famous painting of this Officer by Joseph Cummings Chase which is in itself a treasure. This portrait was one of 125 painted in France in 1918-19 by Joseph Cummings Chase. approximately 75 ended up in the National Portrait Gallery in Washington, DC. This is one of just a few known to be in Private Hands.”
This WWI Army officer’s (his name was not disclosed) group is purely museum quality as this officer also played a significant engineering role (during the interwar period) on New York’s George Washington Bridge and Holland Tunnel construction projects.
Meanwhile, back in the realm where I live (known to me simply as reality), my World War I collection consists of a few items that were affordable and have visual appeal. With my family serving in every American conflict dating back to the War for Independence, I try to locate objects that will display well and have some sort of connection to my family’s military heritage.
Two pieces that fit my criteria (as stated above) and met my budgetary constraints are these WWI-specific wool flannel pillow covers. As it turns out, their similar designs complement each other quite well and will look fantastic on my office wall.
Pillow covers were quite popular during World War II with most designs being simple silk-screened patterns or pictorials on silk material. Typically, these were gifts purchased by the service members and sent to family and sweethearts as reminders of the loved one away at war. During the war, these were mass-produced and can be acquired without severely crippling your collecting budget.
Commemorating a wide variety of subjects such as military branches of service, forts or military bases, ships or aircraft, pillow covers have been dated to the first few years of the twentieth century. The early examples tend to be constructed from a wool flannel with lettering and designs stitched to the face.
While the common designs of WWII (such as the more generic “Army” and “Navy” versions) will be plentiful and therefore inexpensive, the more ornate or specific they are, the price will be higher. With Navy ships of significance (such as the USS Arizona or Enterprise) expect to pay a premium.