Search Results for patches
Patrolling for Patches: Seeking the Hard-to-Find Embroidery
People start collecting military patches for a number of reasons. Considering that all branches of the United States armed forces use embroidered emblems for a multitude of purposes ranging from markings of rank and rating to unit and squadron insignia, invariably, there is something worthwhile to catapult even the non-militaria collector into pursuing the colorful cacophony of patch collecting.
My own participation in collecting patches originates with my own service in the navy. What began back in those days as an effort to adorn my utility and leather flight jackets with colorful representations of my ship and significant milestones (such as deployments) morphed into a quest to complete a shadow box that would properly represent my career in the service. Many of the patches I acquired while on active duty never found their way into use and were subsequently stashed away. It was not until I began to piece together items from my career that my patch collecting interest was ignited.
Like many other military patch collectors, I expanded my hunt from a narrow focus to a much more broad approach. As I pursued patches for another shadow box project (for a relative’s service) I started to see “deals” on random insignia that I just couldn’t live without. It wasn’t before long that I had a burgeoning gathering of embroidered goodies from World War II ranging from those from the US Marine Corps, US Army Air Corps/Forces and other ancillary US Army corps, division and regimental unit insignia*. For the sake of preserving what little storage space I had available, I throttled down and began to narrow my approach once again.
In keeping with my interest in naval history in concert with my passion for local history (where I was born and raised), my military patch collecting went in a new direction. In the past several years, I have slowly acquiring items associated with several of the ships with Pacific Northwest connections. Aside from readily available militaria associated with the USS Washington, USS Idaho and USS Oregon (all of which have stellar legacies of service). items from the ships named for the various cities (in those states) pose much more of a challenge to locate. When it comes to collecting patches, that difficulty is exponentially increased.
Of the many ships named for locations or features within Washington State, the four ships named for the City of Tacoma leave very little for a military patch collector to find, considering that only one of the four served in the era when navy ship patches came into use. The USS Tacoma (PG-92), a patrol gunboat of the Asheville class was actually built and commissioned in her namesake city, served for 12 years in the U.S. Navy from 1969 to 1981. Though her career was relatively brief, she spent her early years operating in the Pacific and in the waters surrounding Vietnam conducting patrol and surveillance operations, earning her two battle stars for her combat service.
While searching for anything related to the USS Tacoma (all ships) last year, a patch from the PG-92 showed up in an online auction that really spoke to me. It was rather expensive and there were many bidders competing for the patch, so I let it go without participating. A few months later, another copy of the patch was listed prompting me to watch for bids. With no bids after a few days, I set my snipe with the understanding that someone is going to exceed my price. One bid came in seconds before the auction closed but my snipe hit at the very last second which resulted in successful outcome for me (winning the auction). It wasn’t until it arrived that I saw the ink-stamp mark on the back. It might be a bit of a detractor, but it certainly isn’t a deal breaker for this vintage 1970s-era patch. However, the patch I received most recently gives me pause.
The second USS Tacoma patch looked fantastic when viewed online even with the staining. The flag-theme evokes memories of 1975-76 and the celebration of the bicentennial of the signing of the Declaration of Independence. On the blue canton, the “PG” encircled by the stars (there are only 10 rather than 13) refers to the hull classification of the ship. Besides the incorrect count of stars, the backing material and the construction of the embroidered edge lead me to believe that this patch was made in Asia. The staining seems as though it was added to the patch to give it some aging.
Another indication of (what I believe to be) the Spirit of 92 patch’s recent manufacture is that it smelled new. I opened the mailing pouch and the scent of new fabric (rather than a musty odor) wafted out which seems quite strange for an old patch.
Regardless of the veracity of the age, both patches are excellent additions to my meager collection.
*Related patch-collecting articles by this author:
- Collecting U.S. Navy Uniform Ship Identifiers
- Collecting Olympics, Militaria-Style!
- Forecasting Patchy Skies: Sew-on Naval Aviation Heraldry
- US Marine Corps Uniform: Shoulder Sleeve Insignia Introduction
- USMC Patch Rarities and Scarcities – What to Look For
- Theater-Made Militaria
Recreation or Reorder: Are These Patches Reproductions?
Collecting patches is a significant and one of the oldest segments of the militaria hobby. So much so that they established an organization (in the late 1930s), the American Society of Military Insignia Collectors (ASMIC), to better facilitate the exchange of the patches and metal insignia from American military uniforms.
Prior to World War I, U.S. armed forces were only adorned with rank insignia (chevron patches on sleeves for enlisted, collar devices and epaulettes for officers). During the Great War, units began affixing cloth insignia to their shoulders to provide visual indication of the unit to which they were assigned. This practice quickly spread as the war began winding down late in 1918 and became widely adopted, not only in the U.S. Army, but also the Marine Corps and some Naval personnel.
In World War II, the expansion of incorporating insignia to identify aircraft squadrons and other smaller units (versus Army regiments or divisions). These “logos” were caricatures that embodied general traits of the unit, their mission or even their founding leadership. Aircraft squadron insignia from WWII, naval squadrons in particular, are some of the rarest and most sought-after patches by collectors.
By the 1980s, unit insignia had become quite commonplace across all units within the US armed forces branches. In the Navy, as each new ship was placed into service, accompanying them was an officially designed and approved unit crest that bore visual representations of the ship’s name. Subsequently, the ships’ stores (where the crew members buy personal supplies, snacks and ship-branded merchandise) would offer, for sale, fully-embroidered patches of the crest.
When a ship is decommissioned (put out of service), the logos and subsequent merchandise cease to be available (other than in secondary markets). Nostalgic veterans and collectors not wanting to wait for one or two of the ship’s patches to become available in online auctions are left with scant few options. This was a situation that I recently had the joy of resolving for my former shipmates who were more than two decades removed from serving aboard our ship, the cruiser USS Vincennes.
In the past few years, an Asian-made (poor) representation of the patch was being sold infrequently in online auctions. This patch a terrible facsimile of the original as it lacked all the detail of the ship’s crest. The seller had that audacity to charge more than $10 (plus shipping) for this poor quality example. A few of my shipmates, desperate to fill a void in their ship memorabilia collection, ponied up the funds and buying the pathetic patches.
Recognizing an opportunity to remedy this issue, I went through a lengthy process of locating the original manufacturer and soliciting bids based upon the original patch design. Today, I was happy to report to my shipmates that the patches would be in their hands within a few days. The shipment of authentic ship crest insignia had arrived.
Some of you might be asking, “Is this really militaria if you’re just having it made?” I can attest that though these are newly manufactured, the patches are no different from those made (by the same manufacturer, by the way) two and a half decades ago.
Focused on Niche Areas of Collecting: USS Washington
What is the difference between a collector and a hoarder? It is a fair question that I often ask myself, especially when I am at a decision point before pulling the trigger on an acquisition. Some folks may decide to move forward with a purchase based upon a single element while others employ a matrix of factors that guide their choices. As many of these factors are subjective and are unique to the individual, it is impossible for one person to answer a the aforementioned question. Psychology professor Randy O. Frost (of Smith College) wrote a fantastic piece, “When Collecting Becomes Hoarding” that is rather insightful in guiding collectors in avoiding the entrapments that lead to the devastating condition of hoarding.
My (simple to suggest yet difficult to adhere to) advice to those who are interested in collecting militaria can be summed up with just one word: FOCUS! To some, focusing on a national military is focus enough. However, I can only imagine what their homes or storage areas (of someone who collects US Militaria) must look like as they gather pieces from four branches of the armed forces. In my estimation, the level of focus that makes the most sense is one that aligns with several criteria. For me these are:
- What story am I trying to uncover and convey with my collection and does the piece align with it?
- Does artifact meet with my primary interest?
- Does the piece meet my budget constraints?
- Do I have the space to preserve and protect the artifact from further decay and damage or to display and enjoy it?
My collecting has a few, very specific focuses and perhaps the most broad of those resides with baseball militaria. Thankfully, this category is extremely limited in terms of available artifacts which, if I pursued even 50 percent of what arrives on the market, I would still be very limited in what actually landed into my home. Being a Navy veteran, most of my collection touches naval history in some manner. Within this arena, I also pursue artifacts related to a few specific ships (the two that I served aboard and the one that my grandfather commissioned and served aboard during WWII). In total, there are about a half-dozen U.S. Navy warships from which I possess related artifacts.
One of those warships that I collect is the USS Washington – which is comprised of a few vessels beginning with the Tennessee class Armored Cruiser (ACR-11) that was commissioned in 1906. I also collect items from the three vessels that have carried the name (BB-47, BB-56 and SSN-787) bringing the total pool from which to draw collecting interest (with this ship) to four. Well, let me make a slight correction; The armored cruiser Washington experienced a reclassification and corresponding name-change due to the rapidly advancing technology and the Navy’s ship-naming policies. In 1916, the ship was renamed USS Seattle in order to free up Washington to be used for a new class and in ship-of-the-line-category. Just 22 days following congressional approval for four Colorado-class battleships (coincidentally, the USS Washington would be the only one of the three to not be finished due to terms of the 1922 Washington Naval Treaty).
As I have been able to secure a modest array of pieces that are associated with the earlier USS Washington/USS Seattle (see: Sound Timing and Patience Pays Off and Naval Heritage Commemorated in Silver), the artifacts that arrive to the market for this ship are scarce. In addition to a few homefront pieces and the cruise book, I have managed to assemble a small collection of original vintage photographs (including CDVs, RPPCs and a cabinet card) from this vessel.
It isn’t often that pieces surface onto the market from (or are associated with pr attributed to) a ship that effectively existed for a decade more than a century ago. Artifacts that actually came from a ship can be difficult to prove in the absence of rock solid provenance. Depending upon the time-period, the ship’s name is seldom, if at all, emblazoned onto a equipment or crew-used items aside from wardroom china or silver service elements. Enlisted uniforms (flat hat tallies before WWII and uniform shoulder UIC patches from the 1950s-on), depending on the era, can bear the ship’s name. In my collection are pieces that fit into a different category: ship-associated. These artifacts range from folk/trench art to sweetheart or family (homefront) pieces that serve as reminders of the sailor’s service rather than being derived from the ship itself.
One such piece, associated with one of the ships that I focus my collecting upon, was listed at auction several months ago and caught my attention for several reasons. Brightly colored and adorned with felt-applique lettering and naval adornments, a homefront pillow that bore some similarities to another navy piece that was already in my collection (see: Dream of Me When You Sleep: Homefront Military Pillow Covers). As I reviewed the listing, I began to focus on the similarities shared between my 1918 Navy pillow and this one that was being listed with the initial thought that it might pre-date 1916 (when the USS Washington ACR-11 was reclassified and re-named). I set my bid amount and waited for the auction close as the date that the pillow was made was quite secondary to my desire to have a piece associated with the Washington, regardless of the era or specific hull.
The pillow arrived a week after my successful auction bid secured win, and I spent some time carefully and gently cleaning the artifact as the felt fabric, though not brittle, could easily tear. The backside of the pillow shows considerable fading having been exposed to a constant light source for years (perhaps placed on the back of a sofa near a window). My assumption of the date of the pillow continued as I overlooked a very obvious indication of the true age. It wasn’t until I began to truly examine the pillow while making descriptive notes (just prior to authoring this article) that I finally recognized the most obvious indication of the artifact’s age. On the bottom corner is a felt applique representation of a chief petty officer’s cap device. The “U.S.N.” lettering was near-entirely horizontally aligned adhering to the pattern used by the device’s WWII design.
Despite my “discovery” of the USS Washington pillow’s actual age, it is a rather unique piece for the WWII-era considering that most of the WWII homefront pieces were silk-screened imagery on satin fabric.
Regardless of the age, the Washington piece fits nicely into this narrow niche of my collecting while keeping me selective with what is added to my collection. Finding the balance in collecting, as with life, helps maintain my sanity, keeps the hobby enjoyable and helps me to avoid cluttering my home and making life miserable for my family.
Affordable, Quick and Easy Display and Storage for Your Collection
One of the challenges for collectors of militaria, besides trying to find space for storage, is the art of showcasing and displaying these precious artifacts.
Sadly, many collectors spend more time acquiring items and less organizing and displaying their pieces, leaving them to sit in bags or boxes, tucked away (source: All Experts.com).
Most collectors lack the expansive spaces to construct elaborate display cases that allow for propping up mannequins and life-sized dioramas. I’d imagine that the average militaria enthusiast is very similar to me in that their collection consists predominantly of small items. The lion’s share of my assemblage is made up of shoulder sleeve insignia (Army, Navy, Marine Corps and US Army Air Force), navy enlisted rank insignia (crows) and several, various naval devices, among many other pieces which include medals, ribbons and ribbon bars and a few other pins and devices.
One of the most popular display and storage tools that collectors employ are the inexpensive and easily storable two-sided boxes known as Riker cases or mounts. These simple cases are available in a wide array of sizes and dimensions providing collectors with the ability to both store and display smaller pieces, laying them flat against a cushioned polyester fill material.
For the display of items like medals, especially vintage pieces that have become delicate due to decades of decay, placing them in a shadow box with their planchets hanging from the ribbon suspension only serves to accelerate deterioration of the threads of the ribbon. With a Riker case, the medal lays flat and is held in place, keeping the load of the medal firmly against the polyester fill material.
One added benefit of incorporating Riker mounts into your collection storage and display plans is security and theft prevention. If you intend to show your collection in a public forum, sticky fingers are invariably going to find their way to your displays. Leaving valuable patches, medals or pins sitting on a tabletop only guarantees that you will have to replace something. Leaving your precious items displayed inside a Riker case offers your audience easy viewing yet shields you from suffering loss. Due to the case’s diminutive sizes and flat dimensions, they are easily transported between home and the show.
One downside to using Riker cases for your display is that they tend to be rather bland and ordinary, and lack the ability to hang on a wall or prop up on table. Fortunately for collectors there are crafty entrepreneurs who recognize a need for something more stylish that addresses these deficiencies. Home-Museum.com offers these beautiful yet subtle hand crafted wood frames that wrap around Rikers, providing a touch of sophistication.
Bear in mind that while some Rikers incorporate glass (instead of plexiglass), it more than likely lacks UV protection for the contents. Exercise caution when hanging or displaying your Riker-mounted collection, protecting the valuable pieces from the damaging effects of light.